妖夜迷情

6.5 播放:30萬 更新:2026-04-22

在法蘭克福出差的達(dá)恩 ;克里斯滕森Dan Kristensen(克勞斯 ;坦格飾),回到布魯塞爾后現(xiàn)代主義藝術(shù)風(fēng)格裝飾的豪華時尚公寓,發(fā)現(xiàn)最近還通過電話的未婚妻埃德薇熱Edwige(西爾維婭 t;卡馬達(dá)飾)突然消失得無影無蹤,并且絲毫沒有打算離家的任何跡象。他試圖通過神秘的鄰居們或是警察幫忙,同時自己也開始調(diào)查他心愛的女人失蹤的原因。她是想遠(yuǎn)離他,還是死了?達(dá)恩想很弄明白,然而從那個時候起,他的生活就變成了噩夢,難以解鎖對女人們性感和流血的奇怪幻想,深陷在自己調(diào)查無果以及腦海里?,F(xiàn)受折磨的男人/女人的痛苦狀態(tài)中。不幸的是,達(dá)恩并不察覺,他越接近揭開真相的那一刻,就越有生命危險......   

即刻觀影

劇情賞析

在法蘭克福出差的達(dá)恩 ;克里斯滕森Dan Kristensen(克勞斯 ;坦格飾),回到布魯塞爾后現(xiàn)代主義藝術(shù)風(fēng)格裝飾的豪華時尚公寓,發(fā)現(xiàn)最近還通過電話的未婚妻埃德薇熱Edwige(西爾維婭 t;卡馬達(dá)飾)突然消失得無影無蹤,并且絲毫沒有打算離家的任何跡象。他試圖通過神秘的鄰居們或是警察幫忙,同時自己也開始調(diào)查他心愛的女人失蹤的原因。她是想遠(yuǎn)離他,還是死了?達(dá)恩想很弄明白,然而從那個時候起,他的生活就變成了噩夢,難以解鎖對女人們性感和流血的奇怪幻想,深陷在自己調(diào)查無果以及腦海里?,F(xiàn)受折磨的男人/女人的痛苦狀態(tài)中。不幸的是,達(dá)恩并不察覺,他越接近揭開真相的那一刻,就越有生命危險......   

編輯推薦

時空悍將

丹澤爾·華盛頓,凱莉·林奇,羅素·克勞,威廉·弗西斯,威廉·菲克納

  故事發(fā)生在一個電腦科技極為發(fā)達(dá)的年代,一名科學(xué)家發(fā)明了一個殺人程序協(xié)助警方辦案,其中集結(jié)了數(shù)百名連環(huán)殺手的資料和他們的作案手法。這個程序是如此的邪惡,最后不僅生成了個人意志,更擁有了人類的外表和可以隨時修復(fù)任意損傷的特殊能力,它從禁錮中逃脫了出來,在世間作惡?! 榱瞬蹲竭@位邪惡的“兇手”,警方設(shè)計了一個追蹤儀器,罪犯帕克(丹澤爾·華盛頓 Denzel Washington 飾)被選中成為了儀器的試驗(yàn)品。帕克曾經(jīng)亦是一名警察,卻因?yàn)閯佑盟叫虤⑺懒俗屗移迫送龅臍⑹侄幻獬寺殑?wù)打入大牢。而讓帕克感到在意的是,在殺人程序中,亦有當(dāng)年殺害他家人的那名殺手的存在。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

破軍X檔案隱身人

白云峰 沐嵐 杜宇航 克拉拉

神秘組織在一項(xiàng)禁忌實(shí)驗(yàn)中,意外造成前“破軍”代號繼承人林中飛變成隱身人,從而人間蒸發(fā)。三年后,因一起離奇的案件,新上任的探長吳明進(jìn)入大家的視野,而他的真實(shí)身份竟然是失蹤三年的林中飛。新任破軍蕭健本能識破林中飛的陰謀,卻遭心愛的戀人瑤光懷疑。林中飛一步步謀劃,使得眾人陷入絕境。顯然,他的目標(biāo)不僅是復(fù)仇。生死時刻,蕭健孤身赴約,與隱身人展開了生死對決…

禪武門

張玲,鄭少秋,田豐,王俠

 《撣武門》是1983年上映的臺灣電影,由張鵬翼導(dǎo)演。張玲,鄭少秋,王俠等人主演。《撣武門》講述某朝皇帝在正月十五日比武大賽之前, 得知刑部大臣陸人敵欲乘機(jī)謀反, 乃飛鷹傳書其派駐在東, 南, 西, 北四郡的諸侯回朝護(hù)駕, 然四人均於回朝途中為刺客所暗殺, 南郡主之女孤獨(dú)冷雁於其父被刺後始得報, 火速趕回想為父報仇· 一日孤獨(dú)冷雁巧遇鬼紅娘, 才知兩人同出一個師門, 尤其孤獨(dú)冷雁學(xué)得高深之禪功, 身手快捷, 眼力極強(qiáng), 卻可惜他·.....

幸存者1999

格雷格·艾維甘,瑞秋·克勞福德,克勞迪亞·米歇爾森,大衛(wèi)·休萊特,Diego Matamoros,克雷·班奈特,Gene Mack,勞倫斯·貝恩

  《幸存者》講述了十億年前,外星異種來地球,進(jìn)行各種生物培育,因?yàn)榈貧み\(yùn)動劇烈,被火山巖漿淹埋?;臎龅谋睒O科學(xué)探測站內(nèi),正歡呼石油的到來,鉆臺無故斷電、礦井噴出神秘的膠體、員工被大卸八塊……頓時失去控制,當(dāng)站長亞當(dāng)、凱特等反應(yīng)過來,并組織起武裝防衛(wèi)時,95%的人們成了無辜冤魂,血肉模糊、腦髓迸射;不可抗力的人類浩劫就此爆發(fā),從北極向全球瘋狂蔓延……

荒村怪談

李文豪,楊雅涵,張萌萌,鐘云鵬,賀穎怡,沈竹,王文采,蘇禹銘,李朋霏,劉君豪

規(guī)則怪談!鬼村見鬼!千年荒村自古有"人鬼相處規(guī)則"。青年男女結(jié)伴夜闖陰山鬼林,破壞規(guī)則,導(dǎo)致鬼靈還魂,鬼嘯瘆人,鬼影駭人,鬼殺奪命!一個美艷女子突然被鬼現(xiàn)鎖喉,另一個精壯青年又被鬼爪掏心……陰風(fēng)陣陣,尖叫四起,一場排隊(duì)送人頭的祭獻(xiàn)大戲陰森上演,生者想死無門,卻又無處可逃!究竟是千年的冤魂沖破魔咒到人間索血啜飲?還是古老地獄中逃出的怪獸掠殺食人?土匪也驚恐逃亡,獵手也慌不擇路!夜半的茅草屋,怪叫撕心裂肺,鬼臉貼窗凝望,野鬼BOSS終將現(xiàn)行,終極"規(guī)則絕殺"如期而至!眾人早已靈魂出竅,一具具行尸走肉又將如何戰(zhàn)栗?