女教師日記 被禁止的性

★ 6.3 播放:69萬 更新:2026-04-22
主演:中田秀夫 

安達充(川名浩介暫無內(nèi)容飾)是一個正在讀高三的學生,他學習優(yōu)秀,容貌清秀,不過因性格內(nèi)向鮮少朋友。充的心中藏著不為人知的秘密,他深深愛戀著自己的級任老師堀田紀子(大竹一重暫無內(nèi)容飾)。這份感情無法自已,他甚至經(jīng)常打去匿名電話向老師表達愛意。然而紀子對這樣的騷擾不勝其煩,此外她早已和同校的體育老師森本(沖田浩之暫無內(nèi)容飾)相愛,情深意篤。目睹了紀子與森本約會并歡愛的場景,充心中倍感痛苦。另一方面,暗戀充的同班女孩矢崎由美(澤木麻美暫無內(nèi)容飾)與好友們打賭,設計引誘森本。此舉令森本和紀子的關系出現(xiàn)裂痕,而充則借此走入夢中情人的心房。一段充滿哀傷氣息的禁忌之戀由此展開……

在線播放

劇情簡介

安達充(川名浩介暫無內(nèi)容飾)是一個正在讀高三的學生,他學習優(yōu)秀,容貌清秀,不過因性格內(nèi)向鮮少朋友。充的心中藏著不為人知的秘密,他深深愛戀著自己的級任老師堀田紀子(大竹一重暫無內(nèi)容飾)。這份感情無法自已,他甚至經(jīng)常打去匿名電話向老師表達愛意。然而紀子對這樣的騷擾不勝其煩,此外她早已和同校的體育老師森本(沖田浩之暫無內(nèi)容飾)相愛,情深意篤。目睹了紀子與森本約會并歡愛的場景,充心中倍感痛苦。另一方面,暗戀充的同班女孩矢崎由美(澤木麻美暫無內(nèi)容飾)與好友們打賭,設計引誘森本。此舉令森本和紀子的關系出現(xiàn)裂痕,而充則借此走入夢中情人的心房。一段充滿哀傷氣息的禁忌之戀由此展開……

導演精選

箭下的約翰娜

三個兄弟姐妹制作了一個騎士般的人物,結果卻射出了一連串的箭。隨著季節(jié)的推移,我們觀察了他們的生活,因為他們都在建造和拆除他們逼真的作品。

無法磨滅

  西雅圖發(fā)生一宗商店殺人案,曾被告謀殺親妻的法醫(yī)大衛(wèi)前往勘驗。 無意中卻在兇案現(xiàn)場發(fā)現(xiàn)與妻子遭謀害時的相同線索,于是他決定展開調(diào)查。 然而調(diào)查工作始終毫無展獲,直到他在募款晚會中結識一位美麗的神經(jīng)學教授瑪莎。 瑪莎正研究某種特殊配方藥劑,可將老鼠的記憶力進行移植。 這使得大衛(wèi)突發(fā)其想,偷走藥劑并將死者的記憶力注入自己體內(nèi)進行人體試驗,好一睹兇案經(jīng)過,找出兇嫌破案?! 【驮诖笮l(wèi)一心想幫助警方破案的同時,兇嫌卻在與警方對峙時中槍身亡。 失去唯一線索的大衛(wèi),只能借用已死兇嫌的記憶找出下一步線索。 原以為到此即將結束的兇案及往日冤屈,卻在大衛(wèi)親身體驗已死兇嫌的記憶過程中全面翻轉。 他發(fā)現(xiàn)了攸關自身的天大謊言…

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster