夏日的云彩
熱議影片，本片中一對西班牙夫婦的一次休閑度假變成了對他們感情的一場嚴(yán)肅的考驗(yàn)。Daniel、Ana和他們年幼的兒子從馬德里出發(fā)去熱帶度假勝地消暑。當(dāng)他們到達(dá)那里后，Marta和Robert，一對表兄妹，對他們產(chǎn)生了不健康的想法并暗中窺探著他們。這對兄妹說好了分別去勾引這對夫婦中的一個(gè)，并實(shí)行他們的;計(jì)劃但是當(dāng)Marta對這件事開始產(chǎn)生猶豫后，她是否能在她那好色的表兄Robert摧毀Daniel和Ana的婚約前阻止他呢？
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跨國銀行
克里夫·歐文,娜奧米·沃茨,阿明·繆勒-斯塔爾,烏爾里奇·湯姆森,布萊恩·F·奧博恩規(guī)模龐大幾乎盤踞全球的跨國銀行IBBC在這個(gè)錢權(quán)主宰的社會(huì)里簡直無所不能，它不僅操控著各國經(jīng)濟(jì)，牽制著政府的決策，甚至參與洗錢、販賣軍火、勒索綁架等各種黑道行動(dòng)，它就像一只大章魚將觸角伸向黑夜的每個(gè)角落。國際刑警路易斯·塞林格（克里夫·歐文 Clive Owen 飾）目睹同事因企圖泄露銀行機(jī)密而遭遇暗殺，他決意受命前往柏林徹查IBBC洗錢內(nèi)幕，得益于另一位正義者副檢察官埃莉諾·惠特曼（娜奧米·沃茨 Naomi Watts 飾）的同行協(xié)助，兩人很快發(fā)現(xiàn)了跨國銀行更多鮮為人知的非法活動(dòng)，甚至包括資助恐怖分子和發(fā)動(dòng)戰(zhàn)爭。兩人決心揭露跨國銀行的真實(shí)面目，然而，無所不知的IBBC早已注意到這兩只螻蟻，殺手隨即派到，路易斯和埃莉諾最終能否贏得這場螳臂當(dāng)車的生死周璇？
數(shù)碼寶貝大電影五：冒險(xiǎn)者的戰(zhàn)斗
野澤雅子,津村真琴,多田葵,山口真弓,今井由香,折笠富美子,金田朋子,金光宣明,松谷彼哉,金子由之,永野愛,三石琴乃,小野健一,佐伯志,松尾銀三,津久井教生,坂本千夏,小杉十郎太快樂的暑假開始了，啟人（津村真琴 配音）為了掃墓來到了風(fēng)光秀麗的沖繩，在海邊，他和阿海（佐伯鵬 配音）一起救下了一位名為美波（三石琴乃 配音）的少女，后者遭到了數(shù)碼獸的攻擊，這些數(shù)碼獸的目標(biāo)，似乎是美波所攜帶的一臺(tái)筆記本電腦，在電腦里究竟隱藏了怎樣的秘密？讓啟人感到意外的是，美波的遇險(xiǎn)催生了數(shù)碼寶貝石獅獸（津久井教生 配音）的誕生，它的使命為何？ 啟人發(fā)現(xiàn)，在風(fēng)靡全球的電子寵物V-Pet背后，隱藏著一個(gè)驚人的秘密，貪婪邪惡的曼法斯獸企圖通過虛擬的數(shù)碼獸摧毀人類世界，實(shí)現(xiàn)它建立數(shù)碼世界的野心。面對強(qiáng)大的對手，啟人和朋友們該何去何從？
阿特拉斯聳聳肩3
克里斯托弗·普拉哈,勞拉·里根,喬昆姆·德·阿爾梅達(dá),艾瑞克·阿蘭·克拉默,羅伯·莫洛國家的經(jīng)濟(jì)正在快速崩潰，罪犯和黑暗勢力控制了整個(gè)國家，政府已經(jīng)無能為力，一個(gè)女人有了答案，她和其他人會(huì)不惜一切去找到他。他是誰？他是約翰.高爾特。本片獲得第35屆金酸莓獎(jiǎng)提名最差翻拍、節(jié)選與續(xù)集。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
天堂孤影
馬蒂·佩龍帕,卡蒂·奧廷寧,薩卡里·庫斯曼嫩環(huán)衛(wèi)公司垃圾車駕駛員尼卡德（Matti Pellonp?? 飾）的老同事計(jì)劃籌資組建自己的環(huán)衛(wèi)公司，邀請尼卡德技術(shù)入股，但老同事不久急病突發(fā)身亡，尼卡德的生活重回一潭死水狀態(tài)。尼卡德心有不甘借酒滋事，在被拘留的時(shí)候結(jié)識(shí)日后的同事米卡拉。米卡拉偶而會(huì)不識(shí)趣的妨礙尼卡德暗地追求超市售貨員伊羅娜（Kati Outinen 飾），但他仍是尼卡德最可依賴的朋友。伊羅娜為報(bào)復(fù)超市經(jīng)理偷走了錢盒，尼卡德幫助她找到服裝店的新工作，服裝店經(jīng)理夾到尼卡德與伊羅娜的關(guān)系中間，但尼卡德最終奪回了自己的愛人?！ ”酒@1987年芬蘭電影尤西獎(jiǎng)最佳影片獎(jiǎng)。是導(dǎo)演郭立斯馬基（Aki Kaurism?ki）無產(chǎn)階級(jí)三部曲的第一部。
長短腳之戀
周潤發(fā),王祖賢,利智,王青,黃霑,鄭孟霞,羅明珠,黃一飛阿美（王祖賢 飾）是個(gè)美麗的女孩子，可是天生腳就有殘疾。她的父親（黃霑 飾）因被堂叔欺騙買下了一間破舊不堪的超級(jí)市場，花掉了畢生積蓄的父親變得瘋瘋癲癲的。阿美既要照顧父親，又要幫忙打理超級(jí)市場，生活的重?fù)?dān)落在了她的身上。在一次交通意外中，司機(jī)梁少祖（周潤發(fā) 飾）以為自己 把阿美撞至殘疾，十分內(nèi)疚，便決定要幫助阿美經(jīng)營超級(jí)市場。阿美一開始并不信任梁少祖，到后來他聯(lián)合朋友來幫助自己的超級(jí)市場度過難關(guān)，心里滿是感動(dòng)，兩人更墜入了愛河。