心之全蝕
本片是關(guān)于兩位法國象征派大詩人魏爾倫和蘭波的傳記片，內(nèi)容大多都建立在實在的歷史記錄基礎上。 1871年，17歲的詩人蘭波（萊昂納多 迪卡普里奧 Leonardo DiCaprio 飾）承受其時已是著名詩人魏爾蘭（大衛(wèi) middot;休里斯 David Thewlis 飾）的約請，去往巴黎。其時魏爾蘭現(xiàn)已成婚，老婆家境賦有。但他偏偏對這個恃才傲物，舉動奇怪，放浪不羈的蘭波，入神不已。他因此而拋下老婆，與蘭波流浪到倫敦，同居在了一同，過著放縱不羈又貧困潦倒的日子。在張狂的兩年同居日子中，兩人互相追逐，互相損傷，紛爭不斷。1873年，在結(jié)尾一次爭執(zhí)中，魏爾蘭開槍打傷了蘭波拘捕并被判入獄兩年。之后蘭波一人孤身返鄉(xiāng)，四處流浪，閱歷冗雜，乃至販賣軍火，結(jié)尾37歲時病逝于非洲。
即刻觀影
劇情賞析
編輯推薦
龍林逃生
陳升衛(wèi),林千雯,鬼哥,龍娜,薛瓊,李信慶《龍林逃生》講述了陳義天、吳勇、梁麗娜、王燕玉等人坐著冒險之旅客運車前去原始森林歷險旅游，途中車子出現(xiàn)故障遇到紅火蟻、恐龍和被恐龍襲擊的虎哥等人，大家互相關(guān)心、互相幫忙，最終安全地逃出了奇妙的原始森林。
一個拳手
王一鳴,任珅,梁國榮拳擊手大卓因意外受傷告別了擂臺，在小區(qū)當了一個保安。在照顧患有癡呆癥父親的過程中，大卓漸漸理解了父親多年來對他的愛，父子間童年時的心結(jié)被解開。為彌補父親曾經(jīng)的遺憾，大卓重拾信心，再一次站到了擂臺之上。
密探2025
瓦格納·馬拉,烏多·基爾,加布里埃爾·利昂納,馬麗婭·費爾南達·康基多,艾米拉·蓋德斯,愛麗絲·卡瓦略,托馬斯·阿基諾,伊薩貝爾·祖拉,蘇茜·洛佩斯,若昂·維托爾·席爾瓦,羅尼·韋列拉,魯本斯·桑托斯,盧西亞諾·基羅利,布達·里拉,吉米·阿斯特利,羅貝里奧·迪奧熱內(nèi)斯,伊戈爾·德·阿勞若,塔尼婭·瑪麗亞,勞拉·盧費西,吉安妮·阿爾布開克1977年，在被軍事獨裁統(tǒng)治折磨的巴西，四十多歲的馬塞洛逃離了他混亂的過去，來到累西腓，希望在這里建立新的生活并與家人重修舊好。然而，他并未料到死亡威脅如影隨形，籠罩在他的頭頂。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
迷失的欲望
靳圣通外表漂亮的子晨內(nèi)心充滿著欲望，漂亮的包包和高檔的手表的加持，子晨在人群中格外顯眼，子晨得到了極大的滿足。然而真正的奢侈品是愛情，子晨開始瞞著自己的丈夫和花花公子開始交往，隨著時間的推移，債務暴雷，情感更是騙人的游戲，子晨終于把自己推向了絕境。
粗野派
阿德里安·布羅迪,菲麗希緹·瓊斯,蓋·皮爾斯,喬·阿爾文,拉菲·卡西迪,斯塔西·馬汀,艾瑪·萊爾德,伊薩赫·德·班克爾,亞歷桑德羅·尼沃拉,亞里安妮·拉貝德,米迦勒·埃普,喬納森·海德,彼得·多卡普,瑪利亞·桑德,澤潘·漢森·阿米薩,薩爾瓦多·桑索內(nèi),查理·埃索科,列文特·奧爾班,貝內(nèi)特·維爾曼尼,彼得·德意志,安娜·梅索伊,杰米斯·巴特勒,尼克·威特曼,娜塔莉·欣尼克,杰瑞米·惠勒,馬特·戴維爾,斯蒂芬·薩拉科,彼得·林卡,羅伯特·杰克遜,多拉·薩塔倫基故事圍繞匈牙利出生的猶太建筑師拉斯洛·托斯與妻子埃爾茲貝特展開。他們在二戰(zhàn)后逃離歐洲，前往美國重啟他們的事業(yè)，并見證了現(xiàn)代美國的誕生。然而他們的生活被一名神秘而富有的客戶改變了。