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捕蛇者說(shuō)
霧山捕蛇人深陷苛政與蛇禍雙重絕境，異變的陰影籠罩村落，一場(chǎng)關(guān)乎救贖與守護(hù)的博弈悄然開(kāi)啟。
姽婳
閆鹿楊,姜文軒,趙婉嬌,李鐵軍,劉希媛,宋國(guó)鑫,顏冠英,于飛,于洛熙知名畫(huà)家創(chuàng)作的最后一幅作品“惡靈畫(huà)像”后離奇死亡了，女設(shè)計(jì)師張琳和同伴早就聽(tīng)說(shuō)過(guò)“惡靈畫(huà)像”具有詛咒的傳說(shuō)----見(jiàn)者必死。強(qiáng)烈的獵奇心理驅(qū)使貌美性感的張琳走向了尋找“惡靈畫(huà)像”的路上，在尋找的過(guò)程中不斷遭遇了一系列靈異、詭異事件……身邊同伴不斷失蹤、離奇死亡...... 張琳是否能在探秘的過(guò)程中活下來(lái)… 是否能夠找到“惡靈畫(huà)像”. 真相逐步揭開(kāi)。
穿越愛(ài)情線(xiàn)
葉灝基,關(guān)嘉敏,許俊豪,陳康琪寵愛(ài)女友的男主角，在好友幫忙下成功求婚。男主角當(dāng)晚高興入眠。至第二天醒來(lái)，發(fā)現(xiàn)自己在一個(gè)陌生房間，身邊多了一個(gè)陌生女子，她告知是自己的老婆，驚訝之時(shí)才發(fā)現(xiàn)自己來(lái)到三年之后，離奇荒誕的事接踵而來(lái)，究竟為何會(huì)這樣？這三年又發(fā)生了什么事？本身的女友又去了哪里呢？
新·胡鬧將軍
松平健,西畑大吾,生瀨勝久,高島禮子,藤間爽子,小澤征悅,勝村政信,小野武彥,木村了,駒木根葵汰,內(nèi)藤秀一郎,神威樂(lè)斗這次特別篇的舞臺(tái)，是吉宗治世20多年后的江戶(hù)城。原創(chuàng)系列中年輕的將軍吉宗也面臨著六十大壽的繼承問(wèn)題。劇中保留了系列的世界觀(guān)和魅力，在繼承問(wèn)題上搖擺不定的吉宗和江戶(hù)城內(nèi)的人們的模樣，以及在城下町發(fā)生的陰謀漩渦的疑難事件，將被加入新的角色和時(shí)代性來(lái)描繪。
沖動(dòng)
芭兒·帕麗,亞歷克西斯·克納普,皮爾斯·布魯斯南,阿什麗·格林尼,賈斯汀·查特文,丹尼·馬斯特森,艾莉森·洛曼,克里斯·吉爾,詹姆斯·德貝羅,尼克·圖恩,歐嘉·梅雷迪斯該片講述四位朋友共同前往一座島嶼度假，期間他們接觸一種名為“Urge”的藥物，而當(dāng)四人吸食之后，他們將逐漸走向欲望的深淵。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.