愛欲漩渦

評分:5.1 播放:42萬 更新:2026-04-23

在東京六本木的某間高檔公寓內(nèi),隱藏著一家少為人知的奇特風(fēng)俗店,營業(yè)時間是凌晨零點到早上五點,面向想做愛的男男女女。這一天來的客人是四男四女,還有中途加入的一對情侶。這些身份性格迥異的人,將在這五個小時內(nèi),卸下各自的偽裝,邀請對方進(jìn)行“無愛的性體驗”,而愛之漩渦,也將因此把他們都卷入其中……大師兄苦練二十年的鐵砂掌和鐵頭功,今天終于練成了。本以為自己已經(jīng)可以打遍天下高手。沒想到一出山就遇到了萬磁王

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Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster