比太陽(yáng)更火熱

評(píng)分:3.9 播放:69萬(wàn) 更新:2026-04-24
主演: Anna Fonsou Andreas Barkoulis Hristos 

Eleana暫無(wú)內(nèi)容is暫無(wú)內(nèi)容married暫無(wú)內(nèi)容with暫無(wú)內(nèi)容Giorgos暫無(wú)內(nèi)容Stavrou,暫無(wú)內(nèi)容a暫無(wú)內(nèi)容wealthy暫無(wú)內(nèi)容footballer暫無(wú)內(nèi)容and暫無(wú)內(nèi)容businessman,暫無(wú)內(nèi)容who,暫無(wú)內(nèi)容because暫無(wú)內(nèi)容of暫無(wú)內(nèi)容his暫無(wú)內(nèi)容busy暫無(wú)內(nèi)容program,暫無(wú)內(nèi)容does暫無(wú)內(nèi)容not暫無(wú)內(nèi)容notice暫無(wú)內(nèi)容that暫無(wú)內(nèi)容he暫無(wú)內(nèi)容is暫無(wú)內(nèi)容neglecting暫無(wú)內(nèi)容his暫無(wú)內(nèi)容wife.暫無(wú)內(nèi)容Parallel,暫無(wú)內(nèi)容Eleana暫無(wú)內(nèi)容starts暫無(wú)內(nèi)容working暫無(wú)內(nèi)容as暫無(wú)內(nèi)容a暫無(wú)內(nèi)容prostitute暫無(wú)內(nèi)容at暫無(wú)內(nèi)容the暫無(wú)內(nèi)容harbor暫無(wú)內(nèi)容of暫無(wú)內(nèi)容Piraeus暫無(wú)內(nèi)容and暫無(wú)內(nèi)容finds暫無(wú)內(nèi)容again暫無(wú)內(nèi)容love暫無(wú)內(nèi)容in暫無(wú)內(nèi)容one暫無(wú)內(nèi)容of暫無(wú)內(nèi)容her暫無(wú)內(nèi)容clients,暫無(wú)內(nèi)容Christos.暫無(wú)內(nèi)容Christos,暫無(wú)內(nèi)容while暫無(wú)內(nèi)容falling暫無(wú)內(nèi)容madly暫無(wú)內(nèi)容in暫無(wú)內(nèi)容love暫無(wú)內(nèi)容with暫無(wú)內(nèi)容her,暫無(wú)內(nèi)容does暫無(wú)內(nèi)容not暫無(wú)內(nèi)容have暫無(wú)內(nèi)容a暫無(wú)內(nèi)容clue暫無(wú)內(nèi)容about暫無(wú)內(nèi)容her暫無(wú)內(nèi)容double暫無(wú)內(nèi)容life,暫無(wú)內(nèi)容a...

劇情簡(jiǎn)介

Eleana暫無(wú)內(nèi)容is暫無(wú)內(nèi)容married暫無(wú)內(nèi)容with暫無(wú)內(nèi)容Giorgos暫無(wú)內(nèi)容Stavrou,暫無(wú)內(nèi)容a暫無(wú)內(nèi)容wealthy暫無(wú)內(nèi)容footballer暫無(wú)內(nèi)容and暫無(wú)內(nèi)容businessman,暫無(wú)內(nèi)容who,暫無(wú)內(nèi)容because暫無(wú)內(nèi)容of暫無(wú)內(nèi)容his暫無(wú)內(nèi)容busy暫無(wú)內(nèi)容program,暫無(wú)內(nèi)容does暫無(wú)內(nèi)容not暫無(wú)內(nèi)容notice暫無(wú)內(nèi)容that暫無(wú)內(nèi)容he暫無(wú)內(nèi)容is暫無(wú)內(nèi)容neglecting暫無(wú)內(nèi)容his暫無(wú)內(nèi)容wife.暫無(wú)內(nèi)容Parallel,暫無(wú)內(nèi)容Eleana暫無(wú)內(nèi)容starts暫無(wú)內(nèi)容working暫無(wú)內(nèi)容as暫無(wú)內(nèi)容a暫無(wú)內(nèi)容prostitute暫無(wú)內(nèi)容at暫無(wú)內(nèi)容the暫無(wú)內(nèi)容harbor暫無(wú)內(nèi)容of暫無(wú)內(nèi)容Piraeus暫無(wú)內(nèi)容and暫無(wú)內(nèi)容finds暫無(wú)內(nèi)容again暫無(wú)內(nèi)容love暫無(wú)內(nèi)容in暫無(wú)內(nèi)容one暫無(wú)內(nèi)容of暫無(wú)內(nèi)容her暫無(wú)內(nèi)容clients,暫無(wú)內(nèi)容Christos.暫無(wú)內(nèi)容Christos,暫無(wú)內(nèi)容while暫無(wú)內(nèi)容falling暫無(wú)內(nèi)容madly暫無(wú)內(nèi)容in暫無(wú)內(nèi)容love暫無(wú)內(nèi)容with暫無(wú)內(nèi)容her,暫無(wú)內(nèi)容does暫無(wú)內(nèi)容not暫無(wú)內(nèi)容have暫無(wú)內(nèi)容a暫無(wú)內(nèi)容clue暫無(wú)內(nèi)容about暫無(wú)內(nèi)容her暫無(wú)內(nèi)容double暫無(wú)內(nèi)容life,暫無(wú)內(nèi)容a...

為你推薦

中轉(zhuǎn)停留

凱特·阿普頓,亞歷珊德拉·達(dá)達(dá)里奧,馬特·巴爾,馬特·瓊斯,卡爾·潘,邁克爾·本耶爾,艾米·阿內(nèi)克,喬·努內(nèi)斯,阿爾文·桑德斯,羅伯·考德瑞,莫莉·香儂,安吉拉·穆爾,約翰·卡西尼,詹妮弗·千,約翰·德斯崔,羅克·克里切洛,凱利·格澤爾,瑪麗·布萊克

  影片講述一對(duì)生活失意的閨蜜在旅行散心的途中遇到一位帥哥,兩人開始使盡渾身解數(shù)博得他的好感,閨蜜從此變仇人…

木乃伊2026

杰克·萊諾,萊婭·科斯塔,梅·卡拉美維,娜塔莉·格蕾斯,維羅尼卡·法爾孔,艾米麗·米切爾,哈亞特·卡米勒,比利·羅伊,希洛·莫利納,梅·埃爾格蒂,迪恩·艾倫·威廉姆斯

 一個(gè)被埋藏的秘密,正準(zhǔn)備被揭開。失蹤多年的凱蒂突然回來(lái),但回來(lái)的,真的還是原本的她嗎?那些看似“好轉(zhuǎn)”的變化,其實(shí),是另一種腐敗的開始。

巖漿毒蛛

斯蒂夫·古根伯格,尼亞·佩雷斯,帕特里克·瑞納,萊斯利·伊斯特布魯克,丹尼·伍德伯恩,拉爾夫·加曼,喬恩·馬克,阿諾德·陳,邁克爾·溫斯洛,馬里昂·拉姆塞,弗蘭克·鮑沃斯,本杰明·馬卡比,Zac Goodspeed

  在洛杉磯火山噴發(fā)釋放出巨大的群熔巖呼吸狼蛛。

戰(zhàn)略大作戰(zhàn)

克林特·伊斯特伍德,唐納德·薩瑟蘭,唐·里克斯,凱勒·歐康納,特利·薩瓦拉斯,加文·麥克勞德,斯圖爾特·馬戈林

  由特洛伊.肯尼迪.馬丁編劇的本片描述二次世界大戰(zhàn)期間,五名別具用心的大兵率領(lǐng)一隊(duì)美軍開坦克沖破德軍防線,到敵后的銀行搶劫一批價(jià)值一千多萬(wàn)的金子。導(dǎo)演布萊恩.G.赫頓企圖以喜劇方式拍攝戰(zhàn)爭(zhēng)冒險(xiǎn)片,但效果不甚理想。不過(guò)幾位主角均有鮮明個(gè)性,演出不錯(cuò),尤其克林特.伊斯特伍德的表演更是受觀眾好評(píng),加上故事情節(jié)異想天開,故本片仍維持了一定的娛樂性。

玉米地的小孩:大逃亡

瑪茜·米勒,Molly Nikki Anderson,Blaine Maye,Lynn Andrews III,JR Hatchett,Mary Kathryn Bryant,Jake Ryan Scott,Sara Moore,Gavin Taylor,Debbi Tucker,Glenda Taylor,Cacky Poarch,Tom Allen,Tyler Corbin,Daria Balling,William Sturgeon

  年輕的孕婦露絲逃脫了兇殘的兒童邪教。在接下來(lái)的十年里,她匿名生活,試圖使兒子免遭她小時(shí)候所經(jīng)歷的恐怖,但有邪惡跟著她,現(xiàn)在,她必須面對(duì)邪惡,或者失去孩子……

奇謀妙計(jì)五福星

洪金寶,吳耀漢,馮淬帆,岑建勛,秦祥林,鐘楚紅,成龍,葉童,林正英,夏文汐,太保,元彪,李賽鳳,午馬

  獄中5個(gè)素不相識(shí)的人成了好兄弟——五福星。茶壺(洪金寶 飾)、死氣喉(吳耀漢 飾)、卷毛積(岑建勛 飾)、凡士林(秦祥林 飾)和魯奇(馮淬帆 飾)五人皆因小偷小摸或跑龍?zhí)壮闪嗽┐箢^,他們決心出獄后重新做人,光明正大掙錢。五人同一天出獄了,出獄后他們合股成立了一間清潔公司 ,專門幫公司或家居進(jìn)行清潔?! ∫惶?,黑幫在交易制販假炒的電版時(shí),被當(dāng)?shù)匾粋€(gè)愣警察撞見了?;艁y之下,他們將電版藏進(jìn)了五福星的清潔車的清潔箱內(nèi)。毫不知情的五福星就這樣又無(wú)端卷入了江湖是非中:一方面,警察懷疑他們是黑幫同伙,在四處通緝他們;另一方面,黑幫也在追尋他們,想殺人滅口取回電版。五福星在進(jìn)退兩難的境地如何運(yùn)用他們的奇謀妙計(jì)脫險(xiǎn)?

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.