即刻觀影
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非凡
馬克·韋伯,露西·格里菲思,大衛(wèi)·克萊頓·羅杰斯,雷恩·威爾森天才科學家大衛(wèi)創(chuàng)造了世界首具擁有高度人工智慧的機械人亞當,并邀請當紅的科技雜志記者蕎依,進入實驗室進行一週的近距離專訪。在採訪的過程中,蕎依深受聰明又充滿抱負的大衛(wèi)吸引,萌生情愫的兩人開始越走越近,而將一切看在眼裡的亞當,竟產(chǎn)生如人類般的忌妒情緒,行為更變得有些怪異與偏激...
二〇二五年的歐陸
埃斯特·通帕,安娜瑪麗亞·比魯斯卡,馬里烏斯·達米安,伊林卡·馬諾拉切,瓦娜·馬爾達雷,謝爾班·帕夫盧,阿德里安·希塔魯,加布里埃爾·斯帕休,阿多尼斯·坦察奧爾索利亞是特蘭西瓦尼亞主要城市克盧日的一名法警。一天,她必須將一名無家可歸的男子從地下室驅(qū)逐出去,這一行動帶來了悲劇性的后果,使得奧爾索利亞必須盡力應對隨之而來的道德危機。
非禮勿視
Glen Jacobs,克雷格·霍納,Michael J. Pagan八個感化院的青年在兩名警官的監(jiān)督下,前往鄉(xiāng)間一所破敗的客棧中接受社區(qū)服務,但是他們的到來卻無意中驚醒一個沉寂已久的惡魔。雅克布?古德奈特 飾(Glen Jacobs 格蘭“凱恩”雅克布 飾),身高七英尺,體重四百磅,頭骨里嵌著一個生銹的鐵盤,鋒利的指甲足夠戳穿對手眼睛的精神病患者?! ⊙趴瞬妓哪昵霸痪俑ヌm克?威廉姆斯(Steven Vidler 飾)槍擊頭部,卻僥幸逃生。如今弗蘭克正是這群青年的督導員。弗蘭克和孩子們的出現(xiàn)激起了雅克布屠殺的欲望,他舉起巨斧,將客棧變作血腥的屠宰場……
驅(qū)魔2024
羅素·克勞,芮安·辛普金斯,薩姆·沃辛頓,克洛伊·貝利,亞當·戈德堡,亞德里安·帕斯達,戴維·海德·皮爾斯,特雷西·邦納,瑪塞奈·麗奈特,約書亞·約翰·米勒,哈莉·塞繆爾斯,漢娜·布萊克,薩曼莎·瑪西絲,杰登·方丹,扎克·帕德羅,查德·邁克爾·貝爾德,德魯·布羅德里克芮安·辛普金斯([布里斯比熊])、克洛伊·貝利(《成長不容易》)加盟,羅素·克勞主演的米拉麥克斯打造的超自然驚悚片[喬治城項目](The Georgetown Project,暫譯)。約書亞·約翰·米勒、M·A·福廷自編自導??藙趯椦菹萑肜Ь车难輪T安東尼·米勒,他在拍攝一部恐怖片的時候,開始變得不安。與他疏遠的女兒(芮安飾)想知道他是不是再次毒癮發(fā)作,還是遭遇了什么邪惡的東西。克洛伊飾演這部恐怖片中的女演員。影片目前在華盛頓拍攝中。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
校園鬼談
???? ???????-?????? ?????,?????? ????????-?????? ??????????每個學校都有很多故事,從新生入學到畢業(yè),一屆又過了一屆,然而那些建筑和房屋仍然留在原地,有些人帶著難忘的回憶離開,而那些回憶可能永遠也不能忘記……