援助交際撲滅運(yùn)動(dòng)
梓的妹妹惠自殺身亡，梓認(rèn)為事情另有蹊蹺，展開(kāi)了追查。 梓打聽(tīng)到，有個(gè)神秘人正在進(jìn)行;援助交際撲滅運(yùn)動(dòng) rdquo;。此人假借援交之名接近女高中生，和她們發(fā)生關(guān)系后，殘忍地在她們身上烙下;母豬 ;的印痕。 梓想起惠的大腿上也有這樣的烙印。難道妹妹是那個(gè)變態(tài)神秘人的犧牲品？！梓獲得了惠的同學(xué)彩的幫助，準(zhǔn)備引蛇出洞，為妹妹復(fù)仇。然而她并不知道，等待著她的是超乎想象的可怕地獄
即刻觀影
劇情賞析
編輯推薦
守株人
楊紫,駱達(dá)華,杜奕衡,劉筱筱,林雪,林妙可該片是心理懸疑風(fēng)格的影片。八年前，一場(chǎng)古董事件導(dǎo)致了相依為命的奶奶死于非命，正值妙齡的佳佳（楊紫 飾）又不得不面對(duì)父母離異的現(xiàn)實(shí)。家庭的破裂、死去奶奶的噩夢(mèng)纏繞，好友的突然癱瘓，而此刻令人毛骨悚然的文物販子伺機(jī)出動(dòng)，各種不解之物正等待時(shí)機(jī)向她發(fā)起進(jìn)攻，直到她變成了守株人……
抵擋計(jì)劃
Donald Cerrone,凱利·林恩·萊特,Vincent E. McDaniel,布蘭迪·羅德里克,Chris Maher一名被困在公寓里的年輕人，門外有一群惡魔，他必須找到一種方法度過(guò)夜晚，逃離213號(hào)公寓。
他年她日
許光漢,袁澧林,陳澤耀,韓佩瑤,董瑋,陳輝虹,駱振偉,許恩怡,謝詠欣在一場(chǎng)世紀(jì)大地震后，矗立于海中央的“重力墻”將世界一分為二，形成兩個(gè)不同的時(shí)區(qū)和重力環(huán)境，“優(yōu)日區(qū)”的一天，是“長(zhǎng)年區(qū)”的一年。長(zhǎng)年區(qū)長(zhǎng)大的薯仔（許光漢 飾）對(duì)來(lái)自優(yōu)日區(qū)的實(shí)習(xí)醫(yī)生安晴（袁澧林 飾）一見(jiàn)鐘情，面對(duì)時(shí)間和地理的巨大阻礙，薯仔和安晴用盡全力雙向奔赴，以年思念，以日相見(jiàn)。在失衡的時(shí)空里，他們能否堅(jiān)定地愛(ài)到最后，守護(hù)這場(chǎng)刻骨銘心的愛(ài)戀？
唱歌的六個(gè)女人
竹野內(nèi)豐,山田孝之,水川麻美,アオイヤマダ,服部樹(shù)咲,萩原實(shí)里,桃果,武田玲奈,津田寬治,白川和子,竹中直人萱島(竹野內(nèi)豐)收到父親的訃告回到故鄉(xiāng)，從萱島的父親那里繼承土地的宇和島(山田孝之)與他一起，在山路上開(kāi)車行駛時(shí)遭遇了意外事故。兩人醒來(lái)時(shí)，發(fā)現(xiàn)自己身處森林深處，被六個(gè)美麗的女人監(jiān)禁著。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
魔法老師
西蒙·佩吉,凱特·貝金賽爾,羅賓·威廉姆斯,羅伯·里格爾,特瑞·吉列姆,約翰·克里斯,喬安娜·拉姆利,艾迪·伊扎德,亞歷克薩·戴維斯,艾瑞克·愛(ài)都,邁克爾·帕林,特瑞·瓊斯,羅伯特·巴瑟斯特,梅拉·沙爾,艾瑪·皮爾森,朱蒂·羅,桑吉夫·巴哈斯卡,布萊恩·考克斯,羅南·薩莫爾斯,加文·斯科特,瑪格麗塔·道爾在外星人的眼中，地球人就是供他們玩樂(lè)的消遣。一群外星人打了一個(gè)賭，賭注是地球的存亡。他們?cè)诘厍蛏想S機(jī)選了一個(gè)人，賦予他心想事成的超能力，如果這個(gè)人最終成為了貪得無(wú)厭的惡人，外星人就選擇把地球毀滅，但如果這個(gè)人依然維持著善良的本性，則意味著地球仍然有著繼續(xù)運(yùn)轉(zhuǎn)的意義?！ ∑椒捕謨?nèi)向的中學(xué)老師尼爾（西蒙·佩吉 Simon Pegg 飾）成為了這名干系到地球存亡的天選之子，在擁有了超能力后，尼爾的身邊發(fā)生了一連串有驚無(wú)險(xiǎn)令人不知該笑還是該害怕的意外。與此同時(shí)，尼爾默默愛(ài)慕的女子凱瑟琳（凱特·貝金賽爾 Kate Beckinsale 飾）也被卷入了危險(xiǎn)之中。