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劇情簡介
娜京與正斌結(jié)婚,不久之后,她偶然碰到了她。 墜入愛河,在丈夫不知情的情況下住了兩所房子。 一天,他的密友敏珠發(fā)現(xiàn)了這個(gè)事實(shí), 娜京將胡妮介紹給敏珠,并試圖掩蓋秘密。 娜京的丈夫鄭彬和來家里玩的敏珠見面 相信一個(gè)令人震驚的事實(shí)...
同類好片
普通事故
瓦希德·穆巴謝里,瑪麗亞姆·阿夫沙里,艾卜拉希姆·阿茲茲,哈迪斯·帕克巴滕,馬吉德·帕納西,穆罕默德·阿里·艾利亞斯梅爾,德爾瑪茲·納加菲,阿菲桑內(nèi)·納姆巴蒂,喬治·哈什姆扎德,莉安娜·阿茲茲菲蛇
尤·伯連納,亨利·方達(dá),德克·博加德,菲利普·努瓦雷,米歇爾·布凱,維爾娜·麗絲,蓋·崔揚(yáng),埃爾加·安德森,瑪麗·杜布瓦,娜塔麗·內(nèi)瓦爾,安德烈·福爾肯,羅伯特·帕蒂,威廉·薩巴達(dá),羅伯特·阿爾達(dá),寶拉·皮塔格拉,路易吉·迪貝爾蒂,弗朗索瓦·麥斯特,赫伯特·??怂?伊娃·瑪麗亞·梅內(nèi)克,法利·格蘭杰諾瑪·蕾
莎莉·菲爾德,博·布里奇斯,羅恩·雷布曼,帕特·亨格爾,芭芭拉·巴斯里,蓋爾·斯特里克蘭德,摩根·保羅,羅伯特·布羅伊爾斯,John Calvin,布思·科爾曼,李·德布魯,詹姆斯·路易西,Vernon Weddle,吉爾伯特·格林,鮑勃·米諾茱莉婭的眼睛
貝倫·魯埃達(dá),路易斯·奧馬,巴勃羅·德爾基,茱莉亞·古鐵雷茲·卡巴,赫克托耳·克拉拉蒙 ,弗蘭塞斯克·奧雷利亞,克拉拉·塞古拉侏羅紀(jì)統(tǒng)治
Eric Roberts,Jack Pearson,Jamie Bernadette膚色
喬納森·塔克,杰克遜·羅伯特·斯科特,丹妮爾·麥克唐納,朗尼·查維斯,賈里德·戴,山姆·狄龍,邁克爾·維拉爾人氣佳作
跨國銀行
克里夫·歐文,娜奧米·沃茨,阿明·繆勒-斯塔爾,烏爾里奇·湯姆森,布萊恩·F·奧博恩豪門夜宴
曾志偉,鄭裕玲,吳耀漢,洪金寶,張學(xué)友,梁家輝,關(guān)之琳,林子祥,梁朝偉,岑建勛,鞏俐,周星馳,黎明,葉倩文,劉德華,張曼玉,許冠文,吳孟達(dá),張國榮,梅艷芳,王祖賢,郭富城,惠英紅,毛舜筠,狄龍,劉家輝,任達(dá)華,吳宇森,朱咪咪,吳大維,吳君如,李嘉欣,李麗珍,杜琪峰,沈殿霞,姜大衛(wèi),徐克,張艾嘉,張耀揚(yáng),麥嘉,袁潔瑩大明嬪妃之登基
宋洋,何杜娟,朱一龍,陳一諾,王藝曈,王春妹,趙家林,陳思璇,關(guān)慧卿瀟灑先生
鄭則仕,關(guān)之琳,戚美珍,張國強(qiáng),樓南光,柏安妮,焦姣,成奎安,陸劍明,曹建南,龍?zhí)焐?劉錫賢,葉偉信,勞劍華,黃一飛,許英秀,劉玉婷,許思敏,陳穎芝 ,黃雄導(dǎo)演精選
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鬼眨眼
A filmmaker discovers a box of video tapes depicting two students' disturbing film project featuring a local horror legend, The Peeping Tom. As he sets out to prove this story is real and release it as a work of his own, he loses himself and the film crew following him into his project.
辣手回春
8年前Yan進(jìn)醫(yī)院割盲腸時(shí)遇到了Joe(鄭伊健 飾)與Jim(陳小春 飾)兩位醫(yī)生,都給她留下了深刻的印象,也是她決心成為醫(yī)生的緣故,她更打算嫁給他們其中一個(gè)。當(dāng)她進(jìn)入他們所在的醫(yī)院當(dāng)醫(yī)生的時(shí)候,發(fā)現(xiàn)Jim變成了一個(gè)市儈、沒有責(zé)任心的醫(yī)生,Joe更因?yàn)椴粷M現(xiàn)今的醫(yī)療管制而不當(dāng)醫(yī)生了。Yan失望之余決定要把他們拉回原來的職位,繼續(xù)做一個(gè)有責(zé)任感的醫(yī)生,Yan的熱誠確實(shí)使一眾醫(yī)護(hù)人員改變不少。