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劇情簡(jiǎn)介
同類好片
大話修仙
孫槐志獵戰(zhàn)狂徒
鄭楚一,魏曉璇,文東俊,曾晨,鄒兆龍,盧惠光,邢瀚卿,英壯,梁焯滿,閔政,孫蛟龍,王澤宗,王洪千,包小平,任珅,吳豪,徐寧,趙思陌,楊光,朱翔,張振宇自殺森林
娜塔莉·多默爾,泰勒·金尼,歐文·馬肯,斯蒂芬妮·沃格特,小澤征悅,Rina Takasaki,櫻井北子,Y?ho Yamashita,藤本政志幸存者2015
馬丁·麥凱恩,米婭·高斯,安德魯·辛普森,巴里·沃德,歐文·弗熱瑞,道格拉斯·羅素,凱瑞爾·肯尼迪,瑞安·麥克法蘭,邁克爾·奧·萊恩,夏蘭·弗林超時(shí)空輝夜姬！
夏吉優(yōu)子,永瀨安奈,早見(jiàn)沙織,入野自由,內(nèi)田雄馬,松岡禎丞,青山吉能,小原好美,菲魯茲·藍(lán),花江夏樹(shù),釘宮理惠刀馬旦
鐘楚紅,林青霞,葉倩文,鄭浩南,午馬,張國(guó)強(qiáng),秦沛,谷峰,曾江,吳君如導(dǎo)演精選
屈從
一個(gè)手忙腳亂的父親(莫羅尼 飾)購(gòu)買了一個(gè)家政服務(wù)機(jī)器人(?？怂?飾)來(lái)幫忙打理家務(wù)、照顧家人，然而隨著機(jī)器人的意識(shí)覺(jué)醒，一家人反而陷入了危機(jī)之中……
家弒服務(wù)
改編自芙蕾達(dá)·麥克法登的同名暢銷小說(shuō)。 為生計(jì)掙扎的女子米莉（西德尼·斯維尼 Sydney Sweeney 飾）找到了一個(gè)新的開(kāi)始，在一對(duì)看似完美且富有的夫妻妮娜（阿曼達(dá)·塞弗里德 Amanda Seyfried 飾）和安德魯（布蘭登·斯克萊納 Brandon Sklenar 飾）的家中做家政。然而，米莉很快發(fā)現(xiàn)一家人的秘密比自己的要危險(xiǎn)得多，這座豪宅背后上演著充滿秘辛、丑聞、權(quán)力誘惑的游戲。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster