影片推薦
靜水
泰勒·瑞特,Eric Michael Roy,卡蓮娜·布里奇,Paul Elia,Nino Aldi驚變28年2:白骨圣殿
阿爾菲·威廉姆斯,拉爾夫·費因斯,杰克·奧康奈爾,基里安·墨菲,艾瑪·萊爾德,毛拉·伯德,艾琳·凱利曼,齊·劉易斯-帕里,羅伯特·羅茲,薩姆·洛克,吉哈茲·艾爾·魯法埃,娜塔莉·庫斯托,Elliot Benn一線希望
扎克瑞·萊維,喬什·杜哈明,昆汀·普萊爾,泰倫斯·特雷爾,馬歇爾·庫克,喬貝茲·威廉姆斯,弗羅瑞安娜·利馬,杰西卡·布萊克莫爾,普里亞·賈恩,詹姆斯·馬丁·凱利,施特菲·塔凱,Armida Lopez,里森·亞歷山大,Chris Dingli,Davina Reeves,Edward De Gaetano,Tucker Sparkman,杰·佩斯,George C. Owens歲歲平安
劉威葳,段奧娟,蔡沅江,趙虎,楊陽,張?zhí)?/span>金箍上的裂痕
最后命令
埃米爾·雅寧斯,艾弗琳·布倫特,威廉·鮑威爾同類精選
星辰之怒
杰克·麥克維,安德里亞·提瓦塔,Elijah Rowen,奧塔爾·薩拉利茲,Weronika Lesiak,Jord Knotter,Malgorzata Klara,Mayu Gralinska-Sakai,Sylwia Sokolowska,Monika Gieron我老婆不是人
梁家輝,關之琳,胡楓,陳雅倫,周文健,梅小惠,鄭丹瑞,黎彼得,張堅庭派對島上的危險
林賽·德雷斯巴赫,Andrea Prevatt,James Bobo,Kate Dailey靈魂密室
Katherine McNamara,Dove Cameron,Braeden Lemasters,Ryan McCartan,Tiffany Espensen從前有位國王
機器人8號
影視排行
心靈與智慧
德懷特·戴維·艾森豪威爾,William Marshall,喬治·皮杜爾本片是由哥倫比亞電影公司出資委任電視紀錄片導演皮特?戴維斯(Peter Davis)拍攝的一部探討美國為何在1959-1975年期間發(fā)動對越戰(zhàn)爭,越南人民的悲慘遭遇,以及美國人民對越戰(zhàn)態(tài)度轉變的紀錄片。這是美國本土首次放映直接采訪刻畫越南平民慘境的影片,片中多次表現(xiàn)了美軍將領的種族主義和美國政府對國內人民的無恥欺騙。電影于1974年在法國嘎納電影節(jié)首映,隨即便因內容的嚴重爭議性被哥倫比亞公司擱置。制片人波特?施耐德(Bert Schneider)與亨利?蘭格(Henry Lange)向哥倫比亞公司買回了版權,并終于1975年通過華納公司在美國公映。本片獲1974年奧斯卡最佳紀錄片獎,并被提名同年金球獎最佳紀錄片。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
完美伴侶2025
索菲·撒切爾,杰克·奎德,盧卡斯·蓋奇,梅根·蘇麗,哈維·吉蘭,魯伯特·弗蘭德,雅布其·楊-懷特,馬克·門查卡,伍迪·傅,Matt McCarthy,Ashley Lambert講述了一個迷人而又變態(tài)的人和一個被他玩弄于股掌之間的女人之間扣人心弦的故事。
弗蘭肯斯坦計劃
莉莉·莫羅利,凱內爾·穆德盧佐,米克洛什·B·塞凱伊,迪亞·麥格唐娜·凱斯,卡塔·韋伯,山大·特赫斯,魯?shù)婪颉じベ嚻婵?Kitty Csíkos,Natasa Stork,ági Margittay盧迪(凱內爾·穆德盧佐 Kornél Mundruczó 飾)從小就成長在孤兒院中,他剛一出生就被父母無情的拋棄了,從來都沒有感受過親情的滋味。17歲時,對父母的思念在盧迪的內心里愈演愈烈,他決定動身去尋找他們的蹤跡。但很快,殘酷的現(xiàn)實就讓盧迪知道,他的存在對于他的親人們來說或許并非一件好事?! ∫淮闻既恢校R迪得到了一次試鏡的機會。導演被盧迪身上所散發(fā)出來的陰郁氣質深深的吸引了,認為他就是扮演自己電影里角色的不二人選??墒窃旎耍瑢а莶⒉恢溃矍暗倪@個年輕人,正是他早些年間拋棄的兒子。