不害臊的姑娘
夏洛特（夏洛特甘斯布 Charlotte Gainsbourg 飾）是一個(gè)13歲的叛逆少女，對(duì)于她來說，生活充滿了不幸，同伴們都是不可救-的傻瓜而父母則是不通情理的無聊大人，總體上來說一切都是如此的乏善可陳，除了那個(gè)叫露露（Julie Glenn 飾）的總圍著自己打轉(zhuǎn)的傻姑娘和那個(gè)年長英俊的水手。 當(dāng)克拉拉（Clothilde Baudon 飾）出現(xiàn)在夏洛特面前的時(shí)候，她簡直不敢相信自己的眼睛，原來這個(gè)世界上是可以有如此美麗、如此優(yōu)雅、如此才華橫溢的天使存在的，更重要的是，克拉拉的父母非常有錢，克拉拉成為了夏洛特通往幻想世界的跳板。在千方百計(jì)獲得了到克拉拉宅邸做客的機(jī)會(huì)后，夏洛特對(duì)于自己的光輝未來的幻想就從未停歇，可是現(xiàn)實(shí)并不如幻想般美好，很快，一盆冷水將徹底澆滅夏洛特那不切實(shí)際的幻想
即刻觀影
劇情賞析
編輯推薦
可憐的東西
艾瑪·斯通,馬克·魯法洛,威廉·達(dá)福,拉米·尤素夫,克里斯托弗·阿波特,蘇西·本巴,杰洛德·卡爾邁克,凱瑟琳·亨特,薇琪·佩珀代因,瑪格麗特·庫里,漢娜·許古拉,杰克·巴頓,查理·希斯科克,阿提拉·多拜,艾瑪·欣德爾,安德斯·奧洛夫·格倫德伯格,艾提拉·凱科斯克麥西,朱西馬爾·巴爾博薩,卡米尼奧,安杰拉·保拉·史丹德爾,古斯塔沃·戈麥斯,凱特·漢福德,歐文·古德,茲恩·約書亞·泊松,薇薇安·索恩,杰爾斯金·芬德里克斯影片基于蘇格蘭作家阿拉斯代爾·格雷所著同名小說，融合現(xiàn)實(shí)主義、奇幻、科幻元素，將弗蘭肯斯坦的故事重塑，設(shè)定在維多利亞時(shí)代晚期，逃避丈夫虐待卻不幸身亡的女子貝拉（艾瑪·斯通 Emma Stone 飾），在被科學(xué)家成功復(fù)活后，心智停留在孩童階段，卻也對(duì)未知世界充滿渴望；她與放蕩律師私奔踏上挖掘自我的冒險(xiǎn)，試圖擺脫時(shí)代對(duì)女性偏見，追求平等與性解放。
自殺俱樂部2001
石橋凌 , 永瀨正敏 , 寶生舞 , 佐藤珠緒 , 野村孝 , 羅利寺西 , Joshua , 辻岡正人 , K?suke Hamamoto , Kei Nagase , 嘉門洋子 , Maiko Mori , Sayako Hagiwara , 金子貴俊 , Mika Miyakawa夜色沉沉的東京新宿站，勞碌一天的人們依舊行色匆匆，仿佛從不知停歇的工蜂。然而卻有一群正處在青春期的女孩綻放著無憂無慮的笑容。她們身穿著不同款式的校服，似乎早已約好一般同時(shí)來到這里，女孩們?cè)谠屡_(tái)前一字排開，手拉手齊齊跳向飛馳而來的列車。一時(shí)間血光四濺，54個(gè)鮮活的生命瞬間消失。 這一事件轟動(dòng)全國，與此同時(shí)類似集體自殺的事件愈演愈烈，甚至連調(diào)查此案的警官黑田敏春（石橋凌 飾）及其家人也受到波及。黑田的搭檔涉澤健次（永瀬正敏 飾）通過不懈的調(diào)查，發(fā)現(xiàn)一連串的自殺事件都和一個(gè)名為“自殺俱樂部”的網(wǎng)站有關(guān)。事件的真相究竟如何？慘劇最終能否終止？
迷失太空
海瑟·格拉漢姆,威廉·赫特,米密·羅杰斯,杰克·約翰遜,萊西·沙伯特,加里·奧德曼,馬特·勒布朗公元22世紀(jì)，因?yàn)槿丝谶^度膨脹、過度開發(fā)、環(huán)境極度惡化、食物也消耗殆盡。人類想要存活下去，就必須要到宇宙中去尋找新的可以棲身的星球。因此制造了一艘當(dāng)時(shí)最先進(jìn)的太空飛船，去考察發(fā)現(xiàn)的一顆可能適宜人類生存的星球。羅伯遜（威廉·赫特 William Hurt 飾）一家被選中擔(dān)負(fù)起了這次探索使命，他們將用10年的時(shí)間前往阿爾法星球?？墒?，這次擔(dān)負(fù)起全人類命運(yùn)的任務(wù)卻有反對(duì)的聲音，部分邪惡勢(shì)力妄圖阻止這次任務(wù)。所以，當(dāng)羅伯遜一家駕駛太空船剛進(jìn)入太空的預(yù)定軌道時(shí)，反對(duì)派史密斯博士暗中進(jìn)行破壞，導(dǎo)致飛船脫離的正常的軌道迫降到了一顆不知名的星球上。飛船上邪惡勢(shì)力的阻撓，不知名星球上的種種危機(jī)，如何才能重新設(shè)定新的航線……各種問題困惑著羅伯遜一家，他們真的就此迷失太空，無法到達(dá)目的地了嗎？人類的命運(yùn)將何去何從？
那個(gè)孩子是誰？
澀谷凪咲,早瀨憩,山時(shí)聰真,荒木飛羽,今森茉耶,蒼井旬,染谷將太,松尾諭,小原正子,槙田雄司擔(dān)任臨時(shí)教師的君島穗香(澀谷凪咲)，目擊了一個(gè)女學(xué)生從屋頂跳下的瞬間。當(dāng)她在暑假補(bǔ)習(xí)班上課時(shí)，又注意到有個(gè)不應(yīng)該存在的學(xué)生。不久后，穗香與補(bǔ)習(xí)班的三浦瞳(早瀨憩)、前川武(山時(shí)聰真)等學(xué)生們，得知了與那個(gè)女學(xué)生有關(guān)的令人震驚的事實(shí)。
年少有你
張善南,李明源,范云飛,郭素潔,李炎峰,王天宇,顏世魁,區(qū)天瑞墨彩寧（張善南 飾）是一名普通的高中學(xué)生，因?yàn)榘嘀魅危ㄍ跆煊?飾）就是自家小姨，所以自己的一舉一動(dòng)都逃不過小姨的法眼，平日只好偽裝成乖乖學(xué)生，但本質(zhì)上卻是一個(gè)不折不扣的追星達(dá)人。轉(zhuǎn)校生顧天琦（李明源 飾）的到來讓她本來平靜的生活發(fā)生了巨大轉(zhuǎn)變，她發(fā)現(xiàn)這位引人注目的同桌竟是偶像顧云凡（區(qū)天瑞 飾）的親弟弟，在顧天琦的囑咐下，墨彩寧答應(yīng)保守住這個(gè)秘密。可特殊身份的消息還是不脛而走，也因此與閨蜜張公主（郭素潔 飾）產(chǎn)生了誤會(huì)，為了能讓張公主不再難過、顧天琦不再轉(zhuǎn)學(xué)，墨彩寧與同學(xué)袁遲（范云飛 飾）、同學(xué)童輝（李炎峰 飾）等人團(tuán)結(jié)一心解決了困擾。在相處中，墨彩寧決心要成為像顧天琦一樣優(yōu)秀的人。轉(zhuǎn)眼到了寒假，在盛大的煙花下大家樹立了各自的人生目標(biāo)，帶著珍貴的友誼走向憧憬的未來……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.