致命追蹤

　　米勒一家似乎擁有所有人都夢寐以求的生活：豪宅、跑車、美滿的家庭。在一個普通的日子，美麗的妻子薩拉（妮可·基德曼 Nicole Kidman 飾）迎接出差回家的丈夫，成功的鉆石采購商凱爾（尼古拉斯·凱奇 Nicolas Cage 飾）。凱爾回家的同時青春期的女兒則艾弗瑞（麗亞娜·萊伯拉托 Liana Liberato 飾）瞞著父母偷偷溜出家門去參加朋友家的派對?？墒翘煊胁粶y風(fēng)云，一伙由四人組成的搶劫團伙闖進米勒家，綁架了夫婦二人欲實施搶劫。艾弗瑞參加完派對回家也不幸撞到了家中正在發(fā)生的悲劇。面對喪心病狂的劫匪，米勒一家將怎樣解除危機？他們是否會安然無恙？而這看似普通的搶劫背后是否又有不為人知的陰謀和骯臟的秘密？

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

主人公賢示自幼飽受性別認(rèn)同困擾，卻始終未放棄成為偶像的夢想。醫(yī)生和田在與賢示相遇后，首次直面性別認(rèn)同障礙的現(xiàn)實，并以賢示為首例親自主刀的性別重置手術(shù)患者。一個選擇活出自我，一個探索“真正的醫(yī)療”，兩人在偏見與孤獨中建立起深厚信任與羈絆。                                                                      　　本片改編自春菜愛與和田耕治的原著，講述開啟禁忌手術(shù)之門的真實故事。

　　《堵車》是一部集愛情、動作、奇幻、懸疑和黑色幽默于一體的都市電影，由一起堵車事件道出了販毒者羅生門（吳鎮(zhèn)宇 飾）、發(fā)條（陳志朋 飾）、一休（吳俊余 飾）、橙子（巴哈古麗 飾）等一群“堵心”人之間的命運交織，講述了一個懸念迭起、凄美蒼涼的故事。《堵車》——由堵心而生。　　三年前，“富二代”發(fā)條、先天心臟病患者一休和制毒販毒者羅生門三個人同時都愛上了少女橙子。　　三年后，又為了同一個目標(biāo)，所有人的命運再次交織在一起?！　　啊伞毙湍μ齑髽蔷褪橇_生門的終點，是天堂的大門，也是宿命的象征。在荊軻的槍口下，羅生門用綠藻酒結(jié)束了自己的生命。手機視頻中，發(fā)條生命垂危，說：如果我死了，請把我的心臟移植給一休。完成了橙子的愿望，也表達他對橙子的愛。