裸體日記
在樹林里的L體營(yíng)地。他非常震驚這并決定派記者史黛西 泰勒到營(yíng)地，所以她可以寫暴露在營(yíng)地上的，讓它關(guān)閉。然而，更令她吃驚的是，史黛西發(fā)現(xiàn)她喜歡L體主義者的生活方式和對(duì)她的經(jīng)歷，寫一些非常積極的文章，Arthur 不坐好。Arthur 然后決定加入自己的陣營(yíng)，寫自己的故事。
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好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
武器之刀光劍影
李乾銘,張星闌,孔孝信,孫祎彤,李夢(mèng)瑤,張春仲,曹禹澄,馮瀑,李雄,王鷹,齊·寶力高,于又川,元寶大革族四大勇士之元泰、勇士昆布倒戈賣國(guó)投降，元泰引西暌族和南離皇族聯(lián)軍攻革，大革族族皇自殺身亡！蔡八兒提著七孔刀逃亡，在山林里救了被狼群養(yǎng)大的小男孩，蔡八兒為小男孩取名祖澈，蔡八兒和祖澈隱居十五年后，祖澈長(zhǎng)練得一手好刀法，光復(fù)大革國(guó)。
皆為好事
盧卡斯·德拉蒙德,Liev Carlos,吉列爾梅·提奧,諾瓦爾·伯巴里,Cecília Brito,Fernando Libonati,Igor Leoni,雷娜塔·卡瓦略,Lizz Miranda,Brenda Oliveira,Rafael Freire,Matheus Nascimento,吉?dú)W瓦多·索扎,Cuié,Luke,Rouxinol,Gleysson Moreira,Helder Amorim,Laio Andrade,Marcus ViniciusBeginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.
停滯
Dan Palmer,Tamaryn Payne,Mark Holden講述一個(gè)看門人被困在一個(gè)女廁所，遇到一批僵尸的攻擊……
一個(gè)拳手
王一鳴,任珅,梁國(guó)榮拳擊手大卓因意外受傷告別了擂臺(tái)，在小區(qū)當(dāng)了一個(gè)保安。在照顧患有癡呆癥父親的過程中，大卓漸漸理解了父親多年來(lái)對(duì)他的愛，父子間童年時(shí)的心結(jié)被解開。為彌補(bǔ)父親曾經(jīng)的遺憾，大卓重拾信心，再一次站到了擂臺(tái)之上。
生還2025
邵正一,周思羽,周云鵬,彭禺厶,徐勵(lì),邱健,侯佳音,徐雅惠,劉頔,李昕廷 ,王天心 ,李夢(mèng)瑤,梁頌晴,段秋鈺,景天曈,寇文琦,劉政杰,朱宏嘉,曹衛(wèi)宇,馬國(guó)偉,楊奇鳴,逯長(zhǎng)恩,苗博,鄭好,張宏威,葉福生,何熙維,王俏,翟赫本片以紀(jì)實(shí)風(fēng)格再現(xiàn)了1938年到1945年抗日聯(lián)軍第六軍被服廠女兵，傷兵醫(yī)院傷兵組成的留守團(tuán)在主力部隊(duì)西征后堅(jiān)持在老游擊區(qū)牽制敵人主力，于重重圍剿中突圍，進(jìn)入蘇聯(lián)整訓(xùn)，整編為抗聯(lián)第88教導(dǎo)旅打回東北的真實(shí)故事?！ ∮捌高^12歲女戰(zhàn)士李童的視角，塑造了耿團(tuán)長(zhǎng)、裴大姐、白連長(zhǎng)、金玉希、李亦奇等一批普通抗聯(lián)男女戰(zhàn)士在突圍中拼死互相保護(hù)，犧牲、被俘、最終生還的殘酷歷程?！ ”酒木幾宰詈笠粋€(gè)離世的抗聯(lián)女戰(zhàn)士李敏撰寫的回憶錄?！ ∵@是第一次用電影方式講述了抗聯(lián)后期從突圍到整編為教導(dǎo)旅再到打回東北的全過程。