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末日逃生2:遷移
杰拉德·巴特勒,莫蕾娜·巴卡琳,羅曼·格里芬·戴維斯,蘇菲·湯普森,艾波·羅絲·雷瓦,威廉·阿巴迪,托米·厄爾·詹金斯,斯榮德·福斯·奧瓦格,Rachael Evelyn,Nathan Wiley,彼得·多卡普,Alex Lanipekun,戈登·亞歷山大,西塞爾·西姆·科赫,吉安尼·卡爾切蒂,Tommi Thor Gudmundsson,Shayn Herndon,莉亞·珀金斯,貢納·貝西·比昂森,Gina Gangar黑暗中的救贖
果靖霖,任泉,劉敏濤,郝平,孫一理糖果 ??
崔智友,高東河環(huán)法
熱拉爾·德帕迪約在你的愛情里
丹努什,克里蒂·薩農(nóng),Sushil Dahiya禁果
莉莉·萊因哈特,羅拉·董,加布里埃爾·尤尼恩,維多利亞·佩德雷蒂,亞歷山德拉·希普,大衛(wèi)·皮納德,奧斯汀·鮑爾,艾瑪·張伯倫,查理·亨利·拉爾森,西德哈特·沙瑪,海莉·莎莫,Caroline Vartanian,喬丹·杜阿爾特,Jeff Sinasac,Katherine Cruz同類推薦
一切為了幸福
馬努·佩埃特,奧黛麗·拉米,奧雷·阿蒂卡,帕斯卡·德莫隆,布魯諾·克萊勒豐,喬·貝爾,拉法樂·杰布拉,凡妮莎·吉德,賈婭·卡爾塔吉羅內(nèi),安東尼·德科內(nèi),蘇菲?卡達(dá)尼,亞力克西斯·馬沙利克安托萬(馬努?派耶 Manu Payet 飾)是一名鼓手,組織了一支樂隊(duì),其中的主唱安琪莉可(喬?貝爾 Joe Bel 飾)擁有很高的音樂天賦,是安托萬重點(diǎn)培養(yǎng)的對(duì)象。安托萬和妻子愛麗絲(奧黛麗?拉米 Audrey Lamy 飾)之間的關(guān)系一直十分的緊張,最終,兩人的婚姻還是破裂了,如此一來,安托萬必須承擔(dān)照顧兩個(gè)女兒的職責(zé),這讓并不善于此道的安托萬感到十分的頭大?! 逢?duì)正在經(jīng)歷最重要的時(shí)期,在這個(gè)節(jié)骨眼上,安琪莉可愛上了吉他手貝博特(布魯諾?克萊勒豐 Bruno Clairefond 飾),他們的戀情自然讓安托萬感到十分的不安,樂隊(duì)的穩(wěn)定和團(tuán)結(jié)岌岌可危。
拯救地球
艾瑪·斯通,杰西·普萊蒙,艾丹·德爾比思,斯塔夫羅斯·哈爾基阿斯,艾麗西亞·希爾維斯通,帕文德·謝爾吉爾,瓦妮莎·恩格,亞伊薩,塞德里克·迪莫爾內(nèi),馬克·T·劉易斯,莫瑪·切瑞,卡門·加林德斯·巴雷拉,羅杰·卡瓦略兩名深信陰謀論的年輕人綁架了一位有權(quán)有勢的大型企業(yè)女首席執(zhí)行官(艾瑪·斯通 Emma Stone 飾),因?yàn)樗麄儓?jiān)信她其實(shí)是個(gè)企圖摧毀地球的外星人。
與神對(duì)談
大衛(wèi)·斯特雷澤恩,布倫頓·思韋茨,耶爾·格洛格拉斯,Charlbi Dean Kriek,希爾·哈勃,博比·迪奇科,Meagan Kimberly Smith雖然是三次面談之旅,但我覺得三次否認(rèn)叫Peter更合適;08,20-08,22FathomEvents,電影大概只有90分鐘,后附30分鐘interview分享一些信仰心得,恍然間有點(diǎn)以為看到了TheSunsetLimited(2011)的感覺,電影不合情理得把神實(shí)化(降臨),但又很合乎情理的在分享Paul的見證,所以最后interview有個(gè)問題是為何上帝沒有啟示我,這個(gè)問題答案就是:先求他的國和他的義,然后你才能見證他的神跡。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
正人君子2024
崔貞允,許伊在,安喜延,安世珉達(dá)到合格率99%,顧客滿意度100%的自薦書代筆人寶允,聲名大噪的她本人卻在為公務(wù)員考試而煩惱,在超市打工的她每天都過得非常不如意。為了就業(yè)被意想不到的事件所糾纏。寶允的人生漸漸陷入無法控制的困境