搜身

? 0.3 播放：43萬 2026-04-23
主演：Kyle Gatehouse Trevor Hayes 

一個美國女大學生到中國旅行，因被懷疑有恐怖分子嫌疑被扣押搜查和盤問。 一個阿拉伯男學生到美國旅行在美國機場被當作恐怖分子嫌疑而被扣押搜查、盤問。 在電影中，中國警察和美國FBI盤問嫌疑人的問題也如出一轍。據(jù)說，影片是為了抨擊911后特別是;愛國者法案通過后美國上下掀起的;防恐過敏癥，導演認為這是對公民自由權(quán)的侵犯，影片最后提出的問題是：;為什么安全保衛(wèi)必須以犧牲公民自由為代價  　一個現(xiàn)代化的中世紀傳奇故事，Erik Magnusson，一名年輕男子，他決定跟隨已經(jīng)疏遠的女友，進入一場中世紀游戲，在游戲中，他發(fā)現(xiàn)自己的女友被另一個游戲玩家誘惑了。 　　

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劇情提要

一個美國女大學生到中國旅行，因被懷疑有恐怖分子嫌疑被扣押搜查和盤問。 一個阿拉伯男學生到美國旅行在美國機場被當作恐怖分子嫌疑而被扣押搜查、盤問。 在電影中，中國警察和美國FBI盤問嫌疑人的問題也如出一轍。據(jù)說，影片是為了抨擊911后特別是;愛國者法案通過后美國上下掀起的;防恐過敏癥，導演認為這是對公民自由權(quán)的侵犯，影片最后提出的問題是：;為什么安全保衛(wèi)必須以犧牲公民自由為代價  　一個現(xiàn)代化的中世紀傳奇故事，Erik Magnusson，一名年輕男子，他決定跟隨已經(jīng)疏遠的女友，進入一場中世紀游戲，在游戲中，他發(fā)現(xiàn)自己的女友被另一個游戲玩家誘惑了。 　　

幕后花絮

驚聲尖叫7

 新的鬼臉殺手出現(xiàn)在Sidney Prescott（內(nèi)芙·坎貝爾 飾）過著新生活的寧靜小鎮(zhèn)，她心底里最恐懼的事已在現(xiàn)實生活中發(fā)生，因為她的女兒（伊莎貝爾·梅 飾）成為了鬼臉殺手下一個目標。為了保護家人，Sidney必須再次面對她過去的恐怖經(jīng)歷，徹底結(jié)束無止境的血腥殺戮。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.