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好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
地下角斗士
戴拉·紹,黎唯,黎明Duke and Yan, two long time rivals, are competing in the world’s most dangerous underground fighting tournament, where powerful crimelords can gamble and influence who they fight, the terrain they fight on and what weapons will be used. In this high-stakes bloodsport where one wrong move can mean certain death, they must decide whether to play by the rules or to cast their honor aside and team up against the dark syndicate running the tournament and bring the entire system down.
復(fù)仇之溪
多米尼克·珀塞爾,亨利·卡維爾,邁克爾·法斯賓德,Emma Booth20世紀(jì)30年代，戰(zhàn)爭的幽靈盤桓世界上空。納粹相信妖術(shù)可以幫助他們邁向勝利，于是派出手下四處尋找便捷的“治世良方”。1936年，在美國西弗吉尼亞的一個(gè)偏僻鄉(xiāng)村復(fù)仇溪，誠實(shí)善良的沃爾納一家迎來一名不速之客。隸屬于北美地區(qū)德國遺產(chǎn)學(xué)術(shù)委員會(huì)的理查德·沃斯博士（Michael Fassbender 飾）來到這里，借住在沃爾納家。一家人雖然心有惴惴，不過看在錢的份上欣然接納沃斯博士，并對其表現(xiàn)出誠摯的熱情，卻不曾想對方帶來了難以置信的災(zāi)難?！ ?007年，警察伊萬·馬歇爾（Henry Cavill 飾）生活正陷入困境。他的哥哥維克多（Dominic Purcell 飾）一度消失。當(dāng)他以為兄長已死時(shí)，維克多卻突然出現(xiàn)，帶著弟弟來到復(fù)仇溪。維克多究竟經(jīng)歷了怎樣的磨難？這與30年代沃爾納一家的遭遇又有什么關(guān)聯(lián)？
沉默的鏡像
蒂莫西·赫頓,費(fèi)爾南多·古林·庫弗,米格爾·安赫爾·西爾維斯特這是一部B級的驚悸片領(lǐng)銜主演的是曾獲得奧斯卡獎(jiǎng)的蒂莫西·赫頓. 歐洲警察特工Tom Brindle（由蒂莫西·赫頓扮演）負(fù)責(zé)調(diào)查Pygmalion的案件,這家伙在 法國和西班牙殺害了很多女孩，是一個(gè)連環(huán)殺手... @幕后 蒂莫西·赫頓在1980年羅伯特·雷德福（Robert Redford）導(dǎo)演的第一部影片《凡夫俗子》（Ordinary People）中扮演一位企圖自殺年輕人，他敏感、細(xì)致入微出色表現(xiàn)為贏得了包括奧斯卡最佳男配角獎(jiǎng)內(nèi)多項(xiàng)表演獎(jiǎng)當(dāng)時(shí)還不滿20歲
美人魚村
梁家仁,于函冰,臧志中,朱鐵和,李健仁,鐘偉強(qiáng),于夏沫本片是一部跨越百年的愛情傳奇故事。講述了安宇廷因?yàn)楹闷嫘尿?qū)使陰差陽錯(cuò)地來到桃源村，從而在桃源村經(jīng)歷了種種奇遇看到美人魚，最后與村民一起同來傷害美人魚的惡勢力作斗爭，并最終取得勝利......