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大怪獸巴朗
野村浩三,園田あゆみ,千田是也,平田昭彥,村上冬樹,土屋嘉男無名之町
福山雅治,有村架純,成田凌,生田繪梨花,木村昴,森永悠希,秋山寬貴,犬飼貴丈,岡崎紗繪,森崎溫,丸山智己,濱田麻里,伊藤淳史,生瀨勝久,仲村亨最爽的一天
馬提亞斯·施維赫夫,弗洛里安·大衛(wèi)·菲茨,賴納·博克,拉斯·多普勒,安德亞斯·杜伯斯,杰克·希爾,亞歷山德拉·瑪麗亞·拉娜,弗萊德雷克·林克曼,羅伯特·尼基施,卡洛琳·拉普,羅比特·舒阿普,塔蒂婭·賽布特,瑪麗亞·沃斯寄宿房
桑德琳娜·米歇爾,阿里·伊爾漢姆,Cassandra Lee最美的島嶼
安娜·阿森西奧,娜塔莎·羅曼諾娃,卡普里切·貝內(nèi)德蒂,阿米·謝斯,米麗亞姆·A·海曼,薩拉·葳瑟,尼古拉斯·圖齊,拉瑞·凡斯登,安娜·邁,戴維·利特爾,娜塔莉亞·茲韋列娃,索里卡·沃爾夫,費內(nèi)拉·A·丘多巴,布雷特·阿扎爾,奧若拉·漢姆巴赫,玢·羅賓斯,邁克爾·文森特鼠膽威龍
張子棟,徐巾淇,趙雷棋,武文佳,強(qiáng)巴才丹,劉佩琦,李奎,張慶慶,鞏小榕人氣佳作
靈異隧道實錄
貝爾·德利亞,Andy Rodoreda,Steve Davis,盧克·阿諾德,戈蘭·D·克魯特,James Caitlin,Ben Maclaine,彼得·麥卡拉姆,Rebecca Clay,Shannon Harvey,Arianna Gusi,Russell Jeffrey,Jessica Fallico,Ben James,Peter Overton,瑞妮·林,丹·伊利克拯救地球
艾瑪·斯通,杰西·普萊蒙,艾丹·德爾比思,斯塔夫羅斯·哈爾基阿斯,艾麗西亞·希爾維斯通,帕文德·謝爾吉爾,瓦妮莎·恩格,亞伊薩,塞德里克·迪莫爾內(nèi),馬克·T·劉易斯,莫瑪·切瑞,卡門·加林德斯·巴雷拉,羅杰·卡瓦略偶像活動！×美妙天堂 THE MOVIE -相遇的奇跡！-
下地紫野,茜屋日海夏交響詩篇超進(jìn)化3
導(dǎo)演精選
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
死人開關(guān)
故事發(fā)生在1977年2月8日，圍繞一名44歲的前房地產(chǎn)開發(fā)商Tony Kiritsis展開。他用槍劫持了貸款公司總裁Richard O. Hall，并在其身上綁了一個“死亡開關(guān)”，以此脅迫這位總裁在幾近零度的天氣里當(dāng)著警察和記者的面穿過市中心的街道。
噬童魔
孤兒薩曼塔，和她的養(yǎng)父母以及妹妹奧利弗住在一起，但是他的養(yǎng)父并不喜歡她，老是責(zé)罵她。由于他們的家位于森林深處，所以回家必須經(jīng)過森林，但是，他們不知道森林里有樹怪，他們能誘捕兒童，然后把抓到的孩子困到他們的巢穴，然后再幻化成孩子的模樣，回到他們的父母身邊，所以數(shù)百年來，這片森林?jǐn)?shù)百年來都有兒童走失的案例，不幸的是，由于薩曼塔的疏忽，讓她的妹妹獨自穿過森林，然后就被樹怪擄走啦，接著就發(fā)生了一連串死亡事件，那么薩曼塔一家能夠逃過一劫嗎？