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暴風(fēng)雨之星
Vladimir Yemelyanov,Georgi Zhzhyonov,Gennadi VernovUpon arrival to Venus, cosmonauts find furious volcanoes and sundry prehistoric beasts in Klushantev's film, based on a novel by the Soviet sci-fi writer Aleksandr Kazantsev. Footage has been recycled in three Corman productions: Voyage to the Prehistoric Planet, Queen of Blood, and Voyage to the Planet of Prehistoric Women (the directorial debut of Peter Bogdanovich). 83min
圣傳
伊倉(cāng)一壽,速水獎(jiǎng),山口勝平,榊原良子Prophecy says that six warriors will end a brutal tyrant's rule. Swords clash as the battle between good and evil explodes!
星河戰(zhàn)隊(duì)2：聯(lián)邦英雄
比利·布朗,理查德·布基,凱莉·卡爾森,何家蓓,埃德·勞特爾,J·P·馬諾克斯,勞倫斯·莫努森,柯琳·波奇,德魯·鮑威爾,愛(ài)德·奎恩,杰森-沙恩·斯科特,布蘭達(dá)·斯特朗,布萊恩·泰,斯蒂芬·斯坦頓,喬恩·戴維森,Jesse Grce,Oliver Keller,喬納森·帕索,Ty Williams在蟲(chóng)族突襲布宜諾斯艾利斯之后，聯(lián)邦軍隊(duì)發(fā)動(dòng)反攻，在坦戈約里擊潰蟲(chóng)族，并在P行星虜獲蟲(chóng)族首領(lǐng)。在此之后，聯(lián)邦軍隊(duì)乘勝追擊，派大軍殺向蟲(chóng)族隔離區(qū)。殘酷的戰(zhàn)斗沒(méi)有止境，機(jī)動(dòng)部隊(duì)第6戰(zhàn)隊(duì)遭到蟲(chóng)族圍攻，苦盼救援部隊(duì)不得，眼看滅亡在即。關(guān)鍵時(shí)刻，第6戰(zhàn)隊(duì)首領(lǐng)夏普德將軍（埃德·勞特 Ed Lauter 飾）與幾名士兵吸引蟲(chóng)族，命令霍頓（Jason-Shane Scott 飾）、珊蒂余下的戰(zhàn)士前往最近的祖魯角哨站避難。此前，該哨站已經(jīng)廢止，所有人員全部死亡，只有一名中尉幸存。在這個(gè)隔絕之地，戰(zhàn)士們進(jìn)行最后的抵抗…… 本片為《星河艦隊(duì)》的第一部續(xù)集，拍攝完畢后直接發(fā)行DVD。
歸途2025
伊沙恩·哈塔爾,詹維·卡浦爾,莉姆·謝赫,Vishal Jethwa北印度村莊的兩個(gè)好友為尋求尊嚴(yán)而競(jìng)逐警察職位，但在愈發(fā)絕望的追逐中，他們的友誼逐漸崩裂。
吊人游戲
阿爾·帕西諾,布蘭特妮·斯諾,莎拉·夏希,卡爾·厄本,喬·安德森,杰梅因·里弗斯,謝勒·拉莫斯,邁克爾·帕帕約翰,斯蒂芬·考特爾,歐德莎·雷,朱爾斯·黑文,薇薇安娜·查維斯,馬特·默丘里奧,邁克爾·羅斯,德韋恩·博伊德,斯洛恩·沃倫,喬恩·亞瑟偵探雷·阿切爾(阿爾·帕西諾飾)和他的搭檔威爾(卡爾·厄本飾)聯(lián)手追捕城市中最臭名昭著的連環(huán)殺手。而這名令人聞風(fēng)喪膽的連環(huán)殺手實(shí)則用“Hangman ”(上吊的人)的猜詞游戲犯案。
皆為好事
盧卡斯·德拉蒙德,Liev Carlos,吉列爾梅·提奧,諾瓦爾·伯巴里,Cecília Brito,Fernando Libonati,Igor Leoni,雷娜塔·卡瓦略,Lizz Miranda,Brenda Oliveira,Rafael Freire,Matheus Nascimento,吉?dú)W瓦多·索扎,Cuié,Luke,Rouxinol,Gleysson Moreira,Helder Amorim,Laio Andrade,Marcus ViniciusBeginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.