影片推薦
莫德羅監(jiān)獄1977
米蓋爾·赫爾南,哈維爾·古鐵雷斯,赫蘇斯·卡羅薩,Catalina Sopelana,費(fèi)爾南多·特赫羅,哈維·薩茲,Víctor Castilla,Alfonso Lara,I?igo de la Iglesia,伊尼戈·阿蘭布魯,Javier Lago,哈維爾·貝爾特蘭,Aimar Vega,Julián Valcárcel,Nacho Marraco鬼三驚3
沃拉甘·羅娜瓦查拉,Akarin Akaranitimaytharatt,Passornkorn Chirativat,緹拉娜·友薩奴,Nutjaree Horvejkul,Numchok Thanatram,Natee Aekwijit,滬瓦隆·威伍颯,Sara Holher,Worachart Thumwijin妙藥春情
加里·格蘭特,金杰·羅杰斯,查爾斯·科本,瑪麗蓮·夢(mèng)露我們是伯利恒
多洛蕾斯·方齊,卡米拉·普拉阿特,勞拉·帕雷德斯,朱麗葉塔·卡迪納利,Sergio Prina,路易斯·馬辛,凱撒·特龍科索,Lili Juarez,Ruth Plaate,Gaia Garibaldi,Susi Andersen,Eugenia Blanc,Daniel Cabot,Camila Caram,Aquiles Casabella,Edgardo Castro,Tamara Dawidowicz,Pilar Mestre Del Bono,Fabio Di Tomaso,Sofía Diam醫(yī)神
張達(dá)明,蔡少芬,伍詠薇,黎耀祥,雷宇揚(yáng),徐錦江,梁榮忠,許紹雄,莫少聰,傅明憲,朱潔儀,陳國邦,陳怡芳,高林生陰陽師2001
野村萬齋,伊藤英明,今井繪理子,小泉今日子 Ky?ko Koizumi,真田廣之,夏川結(jié)衣,寶生舞,矢島健一,石丸謙二郎,柄本明,岸部一德,萩原圣人同類精選
余下的就是沉默
馬魯斯·弗瑞爾·維扎德,奧維度·尼庫勒斯庫,米萊拉·澤塔,米哈伊·格魯亞·桑杜,瓦倫丁·波佩斯庫,尼庫·米霍奇,西爾維烏·比瑞斯午夜的柳枝
梅根·??怂?機(jī)關(guān)槍凱利,埃米爾·赫斯基,布魯斯·威利斯,盧卡斯·哈斯,凱特琳·卡邁克爾,奧利弗·伊莉絲·阿伯克隆比,麗迪雅·赫爾,杰基·克魯茲,泰勒·喬恩·奧爾森,斯溫·特梅爾,希斯蒂妮·史泰龍,邁克爾·比奇,多諾萬·W·卡特,奧馬爾·克魯茲·索托,大衛(wèi)·希爾,讓·皮埃爾·普拉茨,小戴維·M·桑多瓦爾,Jason Trawick,Welker White,Alec Monopoly,Sergio Rizzuto,Nick Koskoff,Katalina Viteri藏獒多吉
劉婧犖,阿蘭,芒萊,趙嶺,周志強(qiáng),王博,張遙函,趙曉明,張偉,李世榮,徐濤甜蜜與卑微
西恩·潘,薩曼莎·莫頓,Dan Moran,烏瑪·瑟曼,Brian Markinson奧利維婭與云
Olga Valdez,Héctor Aníbal,Elsa Nú?ez,Dominique Goris,Fery Cordero步履不停
阿部寬,夏川結(jié)衣,江原由希子,高橋和也,田中祥平,野本螢,林凌雅,寺島進(jìn),加藤治子,樹木希林,原田芳雄影視排行
偽術(shù)奇才
彼得洛·卡斯特里圖,朱莉婭·米切利尼,安德烈·阿坎杰利,Pierluigi Gigante,愛德華多·佩謝,克勞迪奧·桑塔瑪利亞,奧羅拉·喬維納佐,法比齊奧·費(fèi)拉卡尼,Mauro Aversano,弗朗切斯科·拉·曼蒂亞,Michael Schermi,Carlo TozziA noir portrait of Italy in the Seventies.
非禮勿視2
卡恩,丹妮爾·哈麗絲,凱瑟琳·伊莎貝爾,卡吉-埃里克·埃里克森,切蘭·西蒙斯,格雷斯頓·霍爾特,李·馬賈道布,Michael Eklund,Reese Alexander,Kelly-Ruth Mercier,Lynn Colliar,Nancy Bell,克里斯蒂娜·懷道爾,Samantha Noble,史蒂文·維德勒某座城市的驗(yàn)尸房,艾米(丹妮爾·哈麗絲 Danielle Harris 飾)行色匆匆,準(zhǔn)備參加親朋為她準(zhǔn)備的生日派對(duì)。而就在此時(shí),慘無人道的大屠殺在城中另一個(gè)角落發(fā)生,九人遇害,而屠戮他們的兇手雅克布·古德奈特(Glen Jacobs 格蘭·“凱恩”·雅克布 飾)也在救護(hù)車上咽下最后一口氣。眼看派對(duì)泡湯,艾米只得和同事賽斯(卡吉-埃里克·埃里克森 Kaj-Erik Eriksen 飾)打起精神準(zhǔn)備接收送來的尸體。而就在此時(shí),艾米的哥哥威爾(格里斯頓·霍爾特 Greyston Holt 飾)帶著凱拉(切蘭·西蒙斯 Chelan Simmons 飾)、塔瑪拉(凱瑟琳·伊莎貝爾 Katharine Isabelle 飾)等好友潛入驗(yàn)尸房,精心為妹妹準(zhǔn)備了盛大歡快的派對(duì)?! ∧懘笸秊榈哪信畟兛v情歌舞,卻不料雅各布已悄然醒來……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
幸福2024
洼冢愛流,蒔田彩珠影片改編自《下妻物語》等經(jīng)典作品的原作---嶽本稔明的同名小說。故事講述了得知女友一周后就要死亡的“我”和“她”的青春物語。