羔羊醫(yī)生（國(guó)語(yǔ)版）
林過(guò)雨（任達(dá)華暫無(wú)內(nèi)容飾）從小和父親以及繼母還有同父異母的弟妹生活在一起，喧鬧擁擠、又時(shí)常受責(zé)罵的成長(zhǎng)環(huán)境在他心里埋下了異樣的種子……因一家洗印店數(shù)次收到赤裸女子的照片，警方介入調(diào)查，發(fā)現(xiàn)這些女子可能是連環(huán)殺人者“雨夜屠夫”的受害人，警方沿線索調(diào)查，將來(lái)取照片的林過(guò)雨抓獲。經(jīng)暫無(wú)內(nèi)容過(guò)連番高壓審問(wèn)，林過(guò)雨交代了自己的罪行，原來(lái)他以替天行道為名義，借助自己出租車(chē)司機(jī)的職業(yè)便利，多次在雨夜殺害那些他眼中的“壞女人”，其作案手法兇殘，驚世駭俗。兇手落網(wǎng)，但生命已無(wú)法挽回……
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英格麗德·波爾索·貝達(dá)爾,露西·波爾,哈魯克·比爾根納爾,卡蒂婭·里曼,科斯馬·肖,羅伯特·西利格故事發(fā)生在車(chē)水馬龍的繁華大都市紐約，嘉德（英格麗德·波爾索·貝達(dá)爾 Ingrid Bols? Berdal 飾）是一名職業(yè)模特，擁有性感的身材和天使般的容貌，活躍在時(shí)尚秀場(chǎng)和雜志的封面之上。瑪利亞（卡嘉·瑞曼 Katja Riemann 飾）性格溫柔又賢惠，獨(dú)自撫養(yǎng)著孩子，是一位堅(jiān)強(qiáng)而又樂(lè)觀的單身母親。這看似八竿子打不到一起的兩人，她們的生命卻因?yàn)橐粋€(gè)名叫尼克（哈魯克·比爾吉納 Haluk Bilginer 飾）的男人而被牢牢的拴在了一起，她們都曾瞎了眼和尼克有過(guò)一段失敗的婚姻，而根據(jù)婚前協(xié)議，兩人都被尼克安置到了位于曼哈頓的豪華頂層公寓之中。 兩個(gè)性格迥異的女人之間，戰(zhàn)爭(zhēng)一觸即發(fā)。
快樂(lè)獵殺
Martin Dingle Wall,Ken Lally,C.J. Baker,Gary Sturm一個(gè)酗酒的二逼必須跟另一幫沙漠里面腦子有病的殘忍土老帽兒玩兒被獵殺的游戲，你覺(jué)著他能堅(jiān)持到最后么 五名酗酒者, 成為貝德福德平原狩獵小鎮(zhèn)的狩獵對(duì)象, 而沃倫則是佼佼者, 他們與鎮(zhèn)民展開(kāi)了輸死搏斗, 面對(duì)全副武裝的鎮(zhèn)民, 他們能否逃出升天? 得知前女友在墨西哥過(guò)世而且留下他們的女兒，酒鬼沃倫決定當(dāng)個(gè)好父親，開(kāi)始戒酒並前去接回女兒。途經(jīng)一座沙漠小鎮(zhèn)停車(chē)休息，卻在當(dāng)?shù)匾馔庀萑牖杳?；再醒?lái)後，沃倫發(fā)現(xiàn)自己恰巧遇上小鎮(zhèn)的狩獵季節(jié)，而獵物竟是沃倫與其他旅客！除了要應(yīng)付鎮(zhèn)民的瘋狂追殺，同時(shí)還要克服不斷襲來(lái)的戒斷癥狀，沃 倫能否順利逃出沙漠，與女兒共享天倫之樂(lè)？
陽(yáng)光姐妹淘2011
沈恩敬,閔孝琳,姜素拉,南寶拉,陳熙瓊,金時(shí)厚,柳好貞,樸真珠,李妍京,金甫美,千玗嬉,李璟榮25年前，高中生任娜美（沈恩京 飾）一家從全羅道搬到漢城，娜美入讀真德女子高中，因方言濃重怯于開(kāi)口的娜美幸運(yùn)的得到了同班大姐頭夏春花（姜索拉 飾）的維護(hù)，并與圍繞在夏春花周?chē)膱?zhí)著于雙眼皮的金玫瑰、滿嘴臟話的黃珍熙、夢(mèng)想成為作家的徐金玉、要成為韓國(guó)小姐的俞福姬以及沉默傲慢的美人鄭秀智等五人結(jié)識(shí)。在一次和不良少女團(tuán)對(duì)決之后，春花和娜美等七人組成了“Sunny”團(tuán)體……多年以后，家庭主婦娜美在去醫(yī)院探望母親時(shí)偶然重逢了身患絕癥住院的春花，后者希望在生命的最后兩個(gè)月內(nèi)，能夠再見(jiàn)當(dāng)年的Sunny成員。娜美找到金玫瑰，兩人委托私家偵探尋找當(dāng)年的同伴，而那些關(guān)于青春的回憶，也在一個(gè)個(gè)熟悉的名姓后面再次被喚醒。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
蒙上你的眼：逃出巴塞羅那
喬治娜·坎貝爾,馬里奧·卡薩斯,迭戈·卡爾瓦,米歇爾·珍娜,萊昂納多·斯巴拉格利亞,洛拉·杜埃尼亞斯,帕特里克·克里亞多,Alejandra Howard,西莉亞·費(fèi)杰羅,Naila Schuberth,岡扎洛·德·卡斯特,Manel Llunell,米洛·塔波阿達(dá),Brian Lehane,Gerard Oms《蒙上你的眼：逃出巴塞羅那》由《蒙上你的眼》的制作人傾情打造，是 2018 年備受觀眾青睞的熱門(mén)電影的衍生作品。在一股神秘力量使世界人口大量減少之后，塞巴斯蒂安必須在巴塞羅那荒涼的街道上展開(kāi)自己的求生之旅。當(dāng)他與其他幸存者結(jié)成不穩(wěn)定的聯(lián)盟，并試圖逃離這座城市時(shí)，一個(gè)意想不到、甚至更加險(xiǎn)惡的威脅正在增長(zhǎng)。
無(wú)法饒恕的愛(ài)
薩拉·克利夫蘭,Matt Wells...