大鬧廣昌隆
鄭明寶（鄭丹瑞 飾）是香港某電臺(tái)播報(bào)豬肉價(jià)格的DJ，他的朋友陳七本想托他走私藥品，沒想到鄭明寶把事情搞砸，害得他鋃鐺入獄。鄭明寶無意中得到了一把雨傘，并由此結(jié)識(shí)了冥間女鬼方茵（陶君薇 飾），為此，鄭明寶專門做了一檔晚間鬼故事的節(jié)目，由方茵現(xiàn)身說法，收聽率居高不下，連當(dāng)紅DJ蕾莎（顧美華 飾）也對他另眼相看，暗送秋波。 節(jié)目中，方茵講述了自己的一段被負(fù)心漢欺騙、慘遭情敵迫害致死的過程。原來，她本是從南洋來香港接管廣昌隆飯店的女繼承人，偶然見邂逅了警察馬光燊（吳大維 飾），并墮入愛河。但是，馬光燊其實(shí)是個(gè)花花公子，幾次三番傷害了方茵純潔的感情。特別是當(dāng)他的情婦（青山知可子 飾）登堂入室后，更是把傷心欲絕的方茵逼上了絕路……
劇情簡介
鄭明寶（鄭丹瑞 飾）是香港某電臺(tái)播報(bào)豬肉價(jià)格的DJ，他的朋友陳七本想托他走私藥品，沒想到鄭明寶把事情搞砸，害得他鋃鐺入獄。鄭明寶無意中得到了一把雨傘，并由此結(jié)識(shí)了冥間女鬼方茵（陶君薇 飾），為此，鄭明寶專門做了一檔晚間鬼故事的節(jié)目，由方茵現(xiàn)身說法，收聽率居高不下，連當(dāng)紅DJ蕾莎（顧美華 飾）也對他另眼相看，暗送秋波。 節(jié)目中，方茵講述了自己的一段被負(fù)心漢欺騙、慘遭情敵迫害致死的過程。原來，她本是從南洋來香港接管廣昌隆飯店的女繼承人，偶然見邂逅了警察馬光燊（吳大維 飾），并墮入愛河。但是，馬光燊其實(shí)是個(gè)花花公子，幾次三番傷害了方茵純潔的感情。特別是當(dāng)他的情婦（青山知可子 飾）登堂入室后，更是把傷心欲絕的方茵逼上了絕路……
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周元,柳海真,李裕英,劉慧英,李俊赫,金英熊1999年釜山的一個(gè)小村莊里，女學(xué)生恩智（劉慧英飾）被害身亡，她的哥哥張宇（周元飾）也失去了唯一的親人，他決心一定要查出殺害妹妹的兇手。由于一點(diǎn)線索都沒有，張宇不得不借助能預(yù)知死亡的少女（李柔英飾）的力量來追查真兇，并在追查的過程中，盯上了小區(qū)內(nèi)平常人緣和口碑都不錯(cuò)的藥店藥師閔藥局（劉海鎮(zhèn)飾），雖然沒有證據(jù)，但是張宇卻認(rèn)定他就是“那個(gè)家伙”，于是開始24小時(shí)緊盯著閔藥局 。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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