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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
回應(yīng)我
蘇菲·王爾德,阿里·麥卡錫,哈米什·菲利普斯,基特·埃爾哈特·布魯斯,薩拉·布羅肯莎,杰登·戴維森,桑尼·約翰遜,馬庫(kù)斯·約翰遜,基達(dá)安·澤勒克,詹姆斯·奧利弗,喬·伯德,杰特·加茲利,亞歷珊德拉·詹森,Dog,Helene Philippou,米蘭達(dá)·奧圖,佐伊·特雷克斯,克里斯·阿洛西奧,奧蒂斯·丹吉,利安娜·瓦爾斯曼,亞歷珊卓婭·斯蒂芬森,亞采克·科曼孤獨(dú)的少女米婭沉迷于通過陶瓷手召喚靈魂的刺激，但當(dāng)她面對(duì)一個(gè)自稱是她死去母親的靈魂時(shí)，她釋放了一場(chǎng)超自然力量的瘟疫，并努力決定她可以信任誰，是選擇活著的人還是死者？
不良教育2004
蓋爾·加西亞·貝納爾,費(fèi)雷·馬丁內(nèi)茲,丹尼爾·希梅內(nèi)斯·卡喬,路易斯·奧馬,弗朗西斯科·梅斯特,弗郎西斯科·博伊拉,胡安·費(fèi)爾南德斯,納喬·佩雷斯,哈維爾·卡馬拉,阿爾維托·費(fèi)雷羅,佩特拉·馬丁內(nèi)斯,Roberto Hoyas,阿古斯丁·阿莫多瓦,佩德羅·阿莫多瓦,波爾·莫南,薩拉·蒙鐵兒,蕾歐諾·瓦特林,何塞·馬利亞·亞茲皮克恩里克（費(fèi)雷?馬丁內(nèi)茲 飾）和伊格萊西奧（弗朗西斯科?拜奧拉 飾）是教會(huì)學(xué)校的同學(xué)，更是一對(duì)同性戀人。學(xué)校的莫雷神父以留下恩里克為誘餌占有了伊格萊西奧，但最終恩里克還是離開了教會(huì)學(xué)校。這對(duì)同性戀人也就勞燕分飛?！ 〕赡旰蟮亩骼锟艘咽且幻笥星巴镜膶?dǎo)演。一天，伊格萊西奧帶著劇本找到了恩里克，希望自己能出演男主角。劇本描寫的就是他們的成長(zhǎng)經(jīng)歷加上想象的成年經(jīng)歷，恩里克對(duì)劇本十分感興趣，但卻不同意由伊格萊西奧出演?！ ‘?dāng)恩里克來到伊格萊西奧的家鄉(xiāng)時(shí)，秘密一幕幕揭開……
驅(qū)魔
勞拉·琳妮,湯姆·威爾金森,詹妮弗·卡朋特,坎貝爾·斯科特律師艾琳（勞拉·琳妮 Laura Linney 飾）接到一樁官司。一名神父由于用宗教手段——驅(qū)魔儀式來治療女孩艾米莉的重病，因而使得艾米莉耽誤了正確的藥物治療時(shí)間。法庭上，一場(chǎng)宗教與科學(xué)之爭(zhēng)展開了?！ ∈录拈_端，源于19歲女大學(xué)生艾米莉（珍妮弗·卡彭特Jennifer Carpenter飾）的恐怖遭遇。她在大學(xué)宿舍睡覺時(shí)，感覺有靈異惡魔來侵，接下來更為驚悚的事情陸續(xù)發(fā)生。艾米莉一反常態(tài)，她變得雙眼發(fā)黑，行為怪異，整日活在猶豫惡魔纏身的夢(mèng)魘中，艾米莉無法控制自己的意志，痛苦得生不如死。家人為她找來精神病醫(yī)生，卻毫無起色。無奈下，請(qǐng)來神父（湯姆·威爾金森 Tom Wilkinson 飾）一探究竟，才得知艾米莉被遠(yuǎn)古六惡魔上了身。萬魔纏身的她，只有通過宗教儀式進(jìn)行驅(qū)魔，才有可能逃出生天?！ ∩窀傅尿?qū)魔并沒有挽救艾米莉，還引來了控告。無神論者卻認(rèn)為，惡魔纏身是無稽之談。
樓上的人們
河正宇,李荷妮,孔曉振,金東旭講述因?yàn)闃菍釉胍粝嘤龅膬蓪?duì)夫妻一起吃晚飯發(fā)生的故事。
猿山異聞錄
袁福福,王培祎,王青,王純,邵峰,付宏聲,盧勇,何承熹,宋建霖據(jù)傳聞，古時(shí)候有座山叫猿猴山，猿猴山有一國(guó)，名為猿國(guó)。猿國(guó)有一罕見白猿，猿國(guó)尊護(hù)白猿為神，稱“猿神”，百姓日夜供奉，祈求平安。近日，有傳言說“猿神”暴怒，不會(huì)再庇護(hù)猿國(guó)了，國(guó)主才會(huì)久病不起，導(dǎo)致猿國(guó)上下人心惶惶。為了穩(wěn)定民心，猿國(guó)國(guó)主請(qǐng)求太極村掌門延一道人幫助猿國(guó)調(diào)查傳言真相，讓百姓心安。延一道人派遣弟子玄城前往猿國(guó)協(xié)助，探尋背后真相。
謀殺穆巴拉克
潘卡·特里帕蒂,迪寶·卡帕蒂婭,維杰·維瑪,卡瑞詩瑪·卡普爾,薩拉·阿里·汗,蒂絲卡·喬普拉,庫(kù)納爾·赫姆,桑杰·卡普爾,Tara-Alisha Berry,Kiara Sadh,Hardika Sharma,Alok Panwar,Neeraj Saidawat,Ashok Chhabra,Amaara Sangam一名健身教練在德里一家高檔俱樂部慘遭殺害。為了找出兇手，一位老辣的調(diào)查員揭開了俱樂部富豪會(huì)員的骯臟秘密。