劇情縱覽
巨賈,為了生意日夜忙不斷,就是喜沾花野草,但因太太關(guān)麗平管治甚嚴(yán),每次偷情卻要費(fèi)盡心機(jī),十分辛勞,有傍友對(duì)現(xiàn)代科技十分有研討,知有一業(yè)馀發(fā)燒友發(fā)覺一套模仿實(shí)際國(guó)際程式 可將心目中的女神形像,轉(zhuǎn)入電腦,使用者戴上特別的視覺頭盔,便可模仿偷情
巨賈,為了生意日夜忙不斷,就是喜沾花野草,但因太太關(guān)麗平管治甚嚴(yán),每次偷情卻要費(fèi)盡心機(jī),十分辛勞,有傍友對(duì)現(xiàn)代科技十分有研討,知有一業(yè)馀發(fā)燒友發(fā)覺一套模仿實(shí)際國(guó)際程式 可將心目中的女神形像,轉(zhuǎn)入電腦,使用者戴上特別的視覺頭盔,便可模仿偷情
一群犯罪分子在神秘的環(huán)境下被聚集在一起,當(dāng)他們簡(jiǎn)單的工作完全出現(xiàn)偏差時(shí),他們不得不一起努力去揭開到底發(fā)生了什么。
又是一年足球賽季,成績(jī)不甚良好的巴黎隊(duì)即將前往卡布隆吉與當(dāng)?shù)厍蜿?duì)進(jìn)行對(duì)抗。巴黎隊(duì)球星山姆·羅瑞特(奧爾本·勒努瓦 Alban Lenoir 飾)出生于卡布隆吉,他最近表現(xiàn)不太出色,因此備受媒體奚落。與此同時(shí),眾多球迷相繼云集到球場(chǎng),準(zhǔn)備欣賞一場(chǎng)精彩的賽事。杰諾特(Sebastien Vandenberghe 飾)飾卡布隆吉的一名球員,他似乎和山姆有著不可化解的仇恨,因此不惜借助未知藥物的幫忙。誰(shuí)想到注射藥物過(guò)后,杰諾特突然暴走,儼然變成了嗜血如命的僵尸,只是這一變故還沒有什么人察覺?! ÷L(zhǎng)的旅途過(guò)后,巴黎隊(duì)抵達(dá)駐地,山姆被當(dāng)做叛徒遭到家鄉(xiāng)人的謾罵。此時(shí)沒有人知道,即將到來(lái)的比賽中將會(huì)發(fā)生什么可怕的事件……
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
夜深人靜之時(shí),年輕女子瑞切爾(Anessa Ramsey 飾)和艾莉莎(Hannah Bryan 飾)突然遭到神秘之人的襲擊和綁架。當(dāng)她們清醒過(guò)來(lái)后,發(fā)現(xiàn)自己正被綁在一座谷倉(cāng)中,戴著面具的恐怖男子為她們舉行邪氣逼人的儀式。另一方面,受債務(wù)困擾的男人本(AJ Bowen 飾)聯(lián)合女友艾米(卡瑟琳·蘭道夫 Katherine Randolph 飾)、弟弟湯米(安德魯·布瑞蘭 Andrew Breland 飾)以及陌生男人保羅(Sonny Marinelli 飾)策劃綁架了富有商人瑞恩·海登(詹姆斯·巴茲 James Bartz 飾)的女兒,并索取高達(dá)兩百萬(wàn)美元的贖金?! ≌?dāng)本和保羅眾人為了贖金起整治的時(shí)候,死里逃生的瑞切爾突然出現(xiàn),隨之而來(lái)的還有殘忍的春之祭殺人魔……