拿開你的手

兩名警察在出警處理一樁家庭糾紛時(shí)，不慎釀成了一起槍擊意外。為了避免成為輿論的眾矢之的，他們選擇聯(lián)手掩蓋真相。隨著事態(tài)逐漸失控，他們才驚覺——監(jiān)視他們的，遠(yuǎn)不止現(xiàn)場(chǎng)的攝像頭…

在西班牙馬略卡島的一次旅行中，兩位年輕女子（吉爾和薇薇安）在一家偏僻的酒吧里遇到了一群歐洲游客。她們一起游覽了當(dāng)?shù)氐耐讲铰肪€，卻以薇薇安慘遭殺害而告終。友誼逐漸被猜忌和恐懼所取代，幸存者們開始努力找出潛伏在她們中間的兇手?！剪斂朔ü?/p>

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

變裝皇后家好與家人疏離，因媽媽罹患失智癥需貼身照顧，才久違回了家。母親記憶力衰退，不斷提起家好童年軼事，耿耿于懷。有次家好忘記卸妝被母親撞見，為安撫她，只好謊稱自己是母親失散多年的女兒，怎料母親信以為真，令家好展開一段療愈原生家庭創(chuàng)傷之旅。到底家好是否可以月圓？王國(guó)燊繼《男兒王》又一變裝皇后力作，聯(lián)同新加坡視帝許瑞祺和《花路阿朱媽》洪慧芳，將新加坡變裝皇后Sammi Zhen真實(shí)故事搬上大銀幕。