阿瑪利亞別墅

評(píng)分:6.9 播放:79萬(wàn) 更新:2026-04-23

安(伊莎貝爾·于佩爾暫無(wú)內(nèi)容Isabelle暫無(wú)內(nèi)容Huppert暫無(wú)內(nèi)容飾)是一名小有名氣的職業(yè)鋼琴家,在安看來(lái),自己家庭幸福,堪稱(chēng)模范。在和丈夫長(zhǎng)達(dá)十五年的婚姻里,安一直堅(jiān)信著他們之間的感情一如最初那樣忠貞和純潔。不幸的是,這一切只不過(guò)是安自己的臆想罷了,丈夫的出軌很快就讓幸福的假象毀于一旦。憤怒和痛苦之間,安做出了一個(gè)瘋狂的決定,她銷(xiāo)毀了自己的身份證明,凍結(jié)了所有存款,也銷(xiāo)毀了職業(yè)生涯中的一切成果和機(jī)會(huì),她決定來(lái)一次人間蒸發(fā)。

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余洺軒,郭寬

腫瘤科大夫周永陽(yáng),因?yàn)橐粓?chǎng)意外暈倒,醒來(lái)后他發(fā)現(xiàn)自己可以看到別人的生命倒計(jì)時(shí)。   他讓只有三天剩余的患者放棄治療,卻被其家屬潑水。他目睹了一場(chǎng)街頭搶劫,親眼看到只剩一分鐘壽命的劫匪被警察擊斃。   小李、小芳、東東,他的神秘技能到底能不能拯救他們?

無(wú)跡之人

喬恩·沃伊特,Adam Woodward,馬爾頓·索克斯,夏洛特·維嘉

  在一個(gè)陌生的城市醒來(lái),一個(gè)對(duì)自己是誰(shuí)沒(méi)有記憶的人必須面對(duì)自己身份的謎團(tuán)。但他不顧一切地尋找自己的過(guò)去,使他與強(qiáng)大的敵人對(duì)抗,導(dǎo)致一場(chǎng)決戰(zhàn),這將決定他的命運(yùn)并揭示他的真實(shí)身份。——哥斯拉

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

阿特羅皮亞

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