伊娃傳小唇愛娃的故事
別名:暫無內(nèi)容Historia暫無內(nèi)容de暫無內(nèi)容Eva暫無內(nèi)容/暫無內(nèi)容Little暫無內(nèi)容Lips暫無內(nèi)容這部片子可以說就是歐版的lolita吧暫無內(nèi)容豬腳打完一戰(zhàn)回來,遇到了精靈一般可愛的小侄女暫無內(nèi)容他寵愛她,天人交戰(zhàn)暫無內(nèi)容她漸漸懂得男女之事暫無內(nèi)容某一天終于和賣藝少年要初試云雨暫無內(nèi)容被豬腳看到,經(jīng)受戰(zhàn)爭與感情雙重打擊的豬腳,丟下要送給女孩的禮物自殺了暫無內(nèi)容和lolita一樣,這個年紀女孩是天使與魔鬼的混合體
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劇情簡介
別名:暫無內(nèi)容Historia暫無內(nèi)容de暫無內(nèi)容Eva暫無內(nèi)容/暫無內(nèi)容Little暫無內(nèi)容Lips暫無內(nèi)容這部片子可以說就是歐版的lolita吧暫無內(nèi)容豬腳打完一戰(zhàn)回來,遇到了精靈一般可愛的小侄女暫無內(nèi)容他寵愛她,天人交戰(zhàn)暫無內(nèi)容她漸漸懂得男女之事暫無內(nèi)容某一天終于和賣藝少年要初試云雨暫無內(nèi)容被豬腳看到,經(jīng)受戰(zhàn)爭與感情雙重打擊的豬腳,丟下要送給女孩的禮物自殺了暫無內(nèi)容和lolita一樣,這個年紀女孩是天使與魔鬼的混合體
同類好片
神探瓦雷斯:綁票追緝令
里歐·舍曼,加斯帕·帕科農(nóng),米·庫基毀滅的發(fā)明
盧博爾·托科什,Arnost Navrátil,米羅斯拉夫·霍盧布,弗蘭蒂澤克·斯列格爾,Václav Kyzlink,Jana Zatloukalová,休·唐斯,Frantisek Cerny,奧托·希曼內(nèi)克,Václav Trégl遲來的憤怒
安東尼奧·德·拉·托雷,路易斯·卡葉赫,露絲·迪亞斯,勞爾·希門尼斯,曼諾羅·索洛,馮特·加西亞,皮拉爾·戈麥斯,艾麗西婭·魯維奧,蓋茲卡·阿達納斯,馬丁·盧納,查尼·馬丁,恩里克·德拉托雷,茵瑪·桑喬,帕科·本杰梅亞,貝爾塔·埃爾南德斯圣誕傾情
琳賽·洛翰,考德·歐威爾斯特利特,杰克·瓦格納,吳宇衛(wèi),奧利維亞·佩雷斯,布萊斯·霍華德,阿麗·洛翰,安東尼奧·查麗蒂,Colleen Mooney,Chase Ramsey,Sean Dillingham,Alireza Mirmontazeri,Kate Rachesky,Alejandra Flores,Kylie Rohead,Cat Hammons異形侵襲
Ian McCulloch,Louise Marleau,Marino Masé狗舍
丹尼·戴爾,諾埃爾·克拉克,埃米爾·馬爾娃,李·恩格里比,Keith-Lee Castle,克里斯蒂娜·科爾,特里·斯通,尼爾·馬斯克爾,埃米莉·布思,斯蒂芬·格拉漢姆,杰西卡-簡·斯塔福德,阿黛爾·秀娃,Zac Mattoon O'Brien,瑪麗·塔姆,比利·穆瑞,艾麗森·卡洛爾,珍娜·古德溫,妮娜·艾爾斯人氣佳作
一一
吳念真,李凱莉,金燕玲,張洋洋,蕭淑慎,尾形一成,陳希圣,林孟瑾,陳以文,柯宇綸,張育邦,柯素云,唐如韞,徐淑媛,曾心怡,陶傳正驚門
王子子,彭敬慈,陳芋米,佟月,王遠達飆風戰(zhàn)警
威爾·史密斯,凱文·克萊恩,肯尼思·布拉納,薩爾瑪·海耶克,M·埃梅特·沃爾什,泰德·拉文,弗雷德里克·范·德·瓦爾,穆賽塔·萬德,Sofia Eng,白靈,嘉絲莉·畢薇斯,Mike H. McGaughy,羅德尼·格蘭特,巴克·泰勒,Dean Rader-Duval ,克里斯蒂安·奧伯特,Orestes Matacena,伊安·艾伯克龍比,伊斯梅爾·伊斯特·卡爾羅,鮑勃·洪諾,Kris Andersson,菲爾霍恩,斯科特·希斯洛普,貝尼·利威,德里克·梅耶斯,Tiger Mendez,Ty O&飛機和火山
迪恩·凱恩,羅賓·吉文斯,勞倫斯·希爾頓-雅各布斯,Mike Jerome Putnam,Michael William Hunter,Laura Alexandra Ramos,Natalie Burtney導演精選
恐影檔案
A doctor works to cure patients suffering from crippling phobias by placing them inside his invention which induces and controls hallucinations.
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
眠狂四郎
在將軍德川家齊統(tǒng)治下的文政年間,老中水野忠成與水野忠邦在幕府內(nèi)展開激烈的權(quán)力斗爭。此時,攜帶名刀“無想正宗”的神秘浪人眠狂四郎(長谷川博己 飾)現(xiàn)身江戶,并受忠邦的親信之命,暗中刺殺刺客。被他斬殺的刺客頸上佩戴著象征基督信仰的念珠。隨后,狂四郎將此物交還給刺客的妹妹靜香,引發(fā)信徒與豪商備前屋的反擊,雙方為守護與暗殺而對立。另一方面,大目付松平主水正也奉忠成之命,派遣劍豪追殺狂四郎。權(quán)謀與信仰交織,一場錯綜復雜的生死之戰(zhàn)即將展開。