法國空姐1

評分：8.2 播放：45萬 更新：2026-04-28
主演： 未知

Dorcel 的空乘人員再次起飛休假三年后，性感的 Dorcel 空乘人員在 Liselle Bailey

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毛骨悚然撞鬼經(jīng) 15周年特別篇

稻垣吾郎,草彅剛,北乃綺,坂上忍,石原里美,小池徹平,桐谷美玲,菜菜緒,黑木瞳,町田啟太,剛力彩芽,島崎遙香,廣瀨愛麗絲,藤本泉

　　S銅山的女人：失意的保險公司業(yè)務(wù)員山邊夏美（石原里美 飾）和同僚桑原（小池徹平 飾）在歸途中誤入被封閉多年的S銅礦山，由此遭遇了一連串恐怖的詭異事件；小智：被情感困擾的女孩里奈（剛力彩芽 飾）按照都市傳說給自己的手機打了電話，并連念三遍“小智”，希望解開心中疑惑，誰知此后卻被小智纏上；兇手是誰：看似陰沉的派遣職員熊谷（北乃紀(jì)伊 飾）自稱能夠看到別人看不到的真相，她的上司三澤健太（草剪剛 飾）起初并不相信，但接連的事實讓他大為震驚；誘惑的森林：小葵（島崎遙香 飾）和朋友結(jié)菜（廣瀨愛麗絲 飾）去山里游玩，山中一間老舊的廁所卻帶給她們最恐怖的回憶；把手給我：勤奮的OL瀧本理沙（桐谷美玲 飾）不知何時與同學(xué)兼同事的好友雅美（菜菜緒 飾）關(guān)系變差，壓力巨大的她發(fā)現(xiàn)每晚都有一只手緊緊抓住她的胳膊；出租車司機的自述：老實的出租車司機中川（坂上忍 飾）在晚上載了一位要去很遠(yuǎn)地方的女客人，但是這位客人竟是如此沉默；黑暗中的視覺：人過中年的森川千尋（黑木瞳 飾）在一家工廠找到工作，擁有天眼的她看到了許多的鬼魂。

口徑

杰克·勞登,馬丁·麥凱恩,托尼·庫蘭,伊恩·皮里,喬治·安東,凱特·布拉肯,泰蕾茲·布拉德利,卡梅倫·杰克

　　該片是馬特·帕爾默的導(dǎo)演處女作，故事講述兩個畢生好友前往一個孤立的蘇格蘭高地村莊進(jìn)行周末狩獵，然而他們面對接下來所發(fā)生的事情毫無準(zhǔn)備。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

巨人的告別

奧斯卡·馬丁內(nèi)茲,馬蒂亞斯·邁耶,路易斯·盧克,亞歷克西婭·莫亞諾,Inés Estévez,Johanna Francella,Silvia Kutika

失散多年的父親重新露面，這名導(dǎo)游必須應(yīng)對舊日傷痛，并做出一個決定二人未來的抉擇。