偷情的陶醉 Christina y la reconversión sexual

東南亞M國，臥底警員昂基潛伏毒窩查“藍色天堂”配方，遇退伍特種兵哥登。哥登妻子慘喪毒梟坤沙之手、兒子被擄。二人因正義與復(fù)仇聯(lián)手，闖毒巢、救被拐兒童、斗黑警與毒販，歷經(jīng)生死終將坤沙團伙擊潰。緝毒信念不滅，兄弟情義滾燙，盡顯邪不壓正的正義力量。

　　在某臨近海濱的醫(yī)院內(nèi)，住著一個無依無靠的中年男子金珉昊（千浩振 飾）。由于左半邊身體失去知覺，加上腦神經(jīng)受損，因此他無時無刻不想了結(jié)這苦難的人生。這一日，醫(yī)院送來了另一位沒有任何親眷的病號，他的名字叫做樸尚樺（劉海鎮(zhèn) 飾），因腦部受損而失去了記憶，與金安排在同一個加護病房。樸的到來，激起金珉昊心中無限的波瀾。這兩個男人似乎曾有著無限的仇恨與瓜葛，致令金想盡各種辦法要置其于死地，而漸漸恢復(fù)記憶的樸也將同樣的仇恨傾瀉于金珉昊?！　∨c此同時，神秘的白醫(yī)生一反常態(tài)對兩個男人進行特殊關(guān)護，并且用匪夷所思的治療方法幫助他們恢復(fù)健康。這一切的背后，似乎隱藏著更大的謎團……

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　機械廠鉗工莫得閑（肖戰(zhàn) 飾）拖家?guī)Э陔S逃難隊伍躲進山區(qū)，與被大部隊遺忘的防空炮長肖衍（彭昱暢 飾）及手下在“戈止鎮(zhèn)”落腳。然而，莫得閑和妻子夏橙（周依然 飾）、老太爺（楊新鳴 飾）以及兒子莫等閑（嚴知度 飾）的平靜生活因為一小隊日本偵察兵的意外到來被打破。全鎮(zhèn)百姓不忍不退，拼死守護家園，一場民間智慧對抗正規(guī)武裝的殊死較量轟然展開。