我嫁了個(gè)怪蜀黍！

★ 8.8 播放：76萬 更新：2026-04-26

這部片可以是加了幽默的《Akira》，添了人情味的《RoadRunner》，動(dòng)畫版的《低俗小說》（Pulp暫無內(nèi)容Fiction）。一個(gè)關(guān)于一對(duì)新婚夫婦在新婚之夜發(fā)生的溫馨故事。丈夫格蘭特（Grant）突然得到奇異的超自然力量，與此同時(shí)妻子凱麗（Kerry）窘于應(yīng)付。無論何時(shí)，只要Grant一想什么，就會(huì)變?yōu)楝F(xiàn)實(shí)，盡管他并不知道這些魔力來自哪里。他從此成為清談節(jié)目的風(fēng)云人物。拉森·扎爾斯（Larson暫無內(nèi)容Giles），笑笑公司（Smile暫無內(nèi)容Corp.）老總，一個(gè)Ted暫無內(nèi)容Turner型媒體巨頭，派遣他的私家軍團(tuán)，由粗暴但無腦的菲古森（Ferguson）上校率領(lǐng)，去綁架格蘭特，以便霸占全球媒體收視率。接下來就是電影史上最暴力和奇怪的對(duì)戰(zhàn)之一。除了多個(gè)足以開罪所有人的極端暴力畫面，還有曾被稱為“電影中有史以來出現(xiàn)的最怪異和滑稽的性場(chǎng)面”。

在線播放

劇情簡(jiǎn)介

這部片可以是加了幽默的《Akira》，添了人情味的《RoadRunner》，動(dòng)畫版的《低俗小說》（Pulp暫無內(nèi)容Fiction）。一個(gè)關(guān)于一對(duì)新婚夫婦在新婚之夜發(fā)生的溫馨故事。丈夫格蘭特（Grant）突然得到奇異的超自然力量，與此同時(shí)妻子凱麗（Kerry）窘于應(yīng)付。無論何時(shí)，只要Grant一想什么，就會(huì)變?yōu)楝F(xiàn)實(shí)，盡管他并不知道這些魔力來自哪里。他從此成為清談節(jié)目的風(fēng)云人物。拉森·扎爾斯（Larson暫無內(nèi)容Giles），笑笑公司（Smile暫無內(nèi)容Corp.）老總，一個(gè)Ted暫無內(nèi)容Turner型媒體巨頭，派遣他的私家軍團(tuán)，由粗暴但無腦的菲古森（Ferguson）上校率領(lǐng)，去綁架格蘭特，以便霸占全球媒體收視率。接下來就是電影史上最暴力和奇怪的對(duì)戰(zhàn)之一。除了多個(gè)足以開罪所有人的極端暴力畫面，還有曾被稱為“電影中有史以來出現(xiàn)的最怪異和滑稽的性場(chǎng)面”。

導(dǎo)演精選

瘋狂動(dòng)物園

　　After breaking out of a rehabilitation zoo, Frankie, a squirrel with all the angles, returns to his forest. He learns from his dim-witted best friend, Cody, a porcupine and street-con, that while he was in lock-up, the entire forest was picked clean by The A.C.O.R.N.S. Institute (Alternative Cosmetic Oils for Regenerative Natural Skin-care). No acorn was left behind. With winter just around the corner, it's a potentially devastating blow to all forest critters. So, Frankie has no choice but to bust into the brand new, state-of-the-art, rodent-proof A.C.O.R.N.S. Processing Plant and take back all of the acorns! Though a seemingly impossible heist, success would not only save the lives of his forest friends, but it would also give Frankie a chance to win back the love of his life, Lola, a local "show squirrel." Sadly, Lola has been burnt by too many of Frankie's false promises in the past. With the support of Frankie's old mentor, Mr. Bellwood, a wealthy badger, Frankie and Cody assemble a team of top notch "crackers" from all over the forest, including: a bat named Fly Boy, a top notch munitions expert; Raitch, a computer hacking albino snake, who never allows her lack of appendages to get in the way; Edsy a tiny "family frog," whose ability to freeze himself solid for days on end without harm is invaluable; a germophobic French rat named Liam, who can collapse his skeleton to get into any space; Chinese father-daughter pangolins named Pango and Lin, the best diggers in the forest; and Bellwood's hedgehog butler, Oscar who knows how to get his hands on anything the crew needs. With winter knocking at their door, Frankie and his crew have only three days to prepare and execute this unprecedented heist. When they learn that the processing of their forest's acorns has been pushed up a day, Lola's refusal to participate leaves Frankie and his crew one critter short. With everything on the line, Frankie and his crew of Animal Crackerz set out to pull off the biggest heist in animal history!

非禮勿視

　　八個(gè)感化院的青年在兩名警官的監(jiān)督下，前往鄉(xiāng)間一所破敗的客棧中接受社區(qū)服務(wù)，但是他們的到來卻無意中驚醒一個(gè)沉寂已久的惡魔。雅克布?古德奈特 飾（Glen Jacobs 格蘭“凱恩”雅克布 飾），身高七英尺，體重四百磅，頭骨里嵌著一個(gè)生銹的鐵盤，鋒利的指甲足夠戳穿對(duì)手眼睛的精神病患者?！　⊙趴瞬妓哪昵霸痪俑ヌm克?威廉姆斯（Steven Vidler 飾）槍擊頭部，卻僥幸逃生。如今弗蘭克正是這群青年的督導(dǎo)員。弗蘭克和孩子們的出現(xiàn)激起了雅克布屠殺的欲望，他舉起巨斧，將客棧變作血腥的屠宰場(chǎng)……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.