即刻觀影
劇情賞析
編輯推薦
惡夢偵相
Yalitza AparicioFollows a man whose pregnant wife gets murdered and despite the police investigation, the truth is unknown. He tries to find what happened, which confronts him with situations of suspense and terror.
新外星人
克斯汀·埃伯索爾,喬納森·沃德,蒂娜·卡斯帕里,勞倫·斯坦利,杰德·考戈里一個(gè)外星人家庭在不幸意外地被美國探測太空船攜回地球，他們?cè)谝魂嚮靵y中沖出太空總署逃向沙漠，但小外星人麥克與家人失散，溜上了不良于行的艾瑞克家人的旅行車而跟著車到了內(nèi)華達(dá)州。麥克在一次意外事件中救了艾瑞克之后，與艾瑞克兄弟和鄰居女童黛比等人結(jié)為好友，并要求他們協(xié)助搜救在沙漠中垂死的家人。艾瑞克一行人終于在麥克的指引下找到他的家人并帶他們回家，卻不意在超級(jí)市場中造成騷動(dòng)，警方及尾隨而來的科學(xué)家們企圖抓住他們而引發(fā)了沖擊…
誤入魔爪
Jordyn Rudolph,Brad Bell,Ryan Rudolph四名青少年在一次公路旅行中決定繞道而行，發(fā)現(xiàn)自己在肯塔基南部森林深處的鬼屋“萬圣節(jié)尖叫公園”。在目睹了各種各樣的折磨和gore之后，他們開始懷疑自己經(jīng)歷的事情是否有點(diǎn)太現(xiàn)實(shí)了。在他們知道之前，他們中的每一個(gè)人都被俘虜了，并成為他們?cè)菊J(rèn)為可怕的樂趣和游戲的一部分…
放飛旅行團(tuán)
姜河那,金英光,車銀優(yōu),姜泳錫,韓善伙堅(jiān)持到底的瘋狂執(zhí)著者、活力爆棚的樂天派、顏值爆表的潮流DJ志願(yuàn)生、腦洞大開的怪咖，還有直率爆笑的傻大姐——這五位從小一起長大的死黨，雖然個(gè)性南轅北轍，但卻默契滿點(diǎn)。在友情屆滿24週年的同時(shí)，他們終於迎來夢寐以求的「人生首次海外旅行」！只是沒想到，這場說走就走的旅程，卻秒變?yōu)碾y現(xiàn)場：走失、誤會(huì)、鬧劇不斷升級(jí)，他們能否克服重重危機(jī)，重新找回彼此？而這場瘋狂之旅的終點(diǎn)，會(huì)是一生中的難忘回憶，還是友情的轉(zhuǎn)捩點(diǎn)呢？
黑蜥蜴1962
京町子,大木實(shí),川口浩,葉順子,三島雅夫,目黒幸子,中條靜夫,久里千春亂步作品
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster