天使心腸之紅色教室
村木哲郎(蟹江敬三飾)是一本不入流的色情雜志的老板,某天,他在地下電影院觀看一出描寫學(xué)校暴行的“電影”,女主角的精湛演技和疏離感瞬時(shí)攫住村木的心。在此后的日子里,他有意尋找那名女主角,卻始終沒有著落。偶然機(jī)會(huì),村木和員工工作時(shí)在某情人旅館邂逅了那名擔(dān)任接待工作的“女主角”——土屋名美(水原ゆう紀(jì)飾)。他興奮地邀請(qǐng)名美擔(dān)任自己的模特,同時(shí)發(fā)現(xiàn)名美拍攝的那部影片竟是一起真實(shí)事件,而她也自此墮落成一名妓女。兩人相約次日相見,但村木卻因突發(fā)事件失約,彼此一別三年……本片根據(jù)漫畫家兼導(dǎo)演石井隆的漫畫原著改編,并榮獲1980年橫濱電影節(jié)最佳導(dǎo)演、最佳女主角(水原ゆう紀(jì))和最佳男配角(蟹江敬三)三項(xiàng)大獎(jiǎng)。
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好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
夏洛克:未敘之章特別篇
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上帝陰影下
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