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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
約瑟夫·門格勒的消失
奧古斯特·迪赫,達娜·赫弗斯,布爾格哈特·克勞斯納,安東·利特維諾夫,海因茨·K·克拉蒂格,馬克西米利安·梅耶-布雷澤內(nèi)德,Carlos Kaspar,阿麗娜·利特維諾娃,Tetiana Lytvynova,David Ruland,Rodrigo Costa Pereyra,Diana Stepanova,Santino Lucci,Ramiro Lucci本片聚焦臭名昭著的納粹醫(yī)生約瑟夫·門格勒的逃亡軌跡，從巴拉圭的藏身之所到最終遁入巴西叢林深處，再現(xiàn)這名"死亡天使"流亡南美的隱秘歲月。
開端2025
崔娜·蒂虹,大衛(wèi)·丹席克,比約克·斯托姆,Luna Fuglsang Svelm?e,約翰·路易斯·施密特,Christine Gjerulff,Hanne Uldal,庫爾特·德萊耶,Christopher Nallo,Frederik Malmose,Josva Engedal Jacobsen,Klaus S?ndergaard,Andrea Enerstad Bolle,Alvin Burs?e,Karen Marie Holst Gudichsen,Noora Sofie Hjorth Biil安妮和托馬斯正處于離婚邊緣，這時安妮發(fā)生了中風(fēng)，迫使他們不得不繼續(xù)住在一起，并推遲了告訴孩子們他們即將分開的消息。面對這一新的現(xiàn)實，兩人在最意想不到的地方找到了希望。
小鎮(zhèn)殺手
尼可拉斯·布若,烏爾里奇·湯姆森,Mia Lyhne,琳恩·瑪麗亞·克里斯滕森,馬辛·多洛辛斯基,Gwen Taylor,索倫·莫靈,碧爾特·諾伊曼,Ole Thestrup,Elsebeth Steentoft,Joel Spira,珍斯·安德森,Alexander Behrang Keshtkar,約翰·路易斯·施密特,Mikkel Arendt,金·柯爾德「商場得意，情場失意?！褂眠@句話形容商人伊博和愛德華，尚嫌太客氣。兩人一個胖、一個魯，成天插科打諢，滿腦子性愛。偏偏老婆不領(lǐng)情，夜里不給碰就算了，平時還酸言酸語刺激魯蛇纖細的腦神經(jīng)，不但贊不絕口舞蹈教練的性感魅力，還大肆嘲弄老公薄弱的性能力，激得兩人火冒三丈，一不做二不休，上網(wǎng)找?guī)褪郑罄线h請來俄羅斯殺手干掉枕邊人！ 殺手伏特加當(dāng)水喝，殺人當(dāng)日常，醉起來像瘋狗；兩人正懊悔想趕他走，殺人計劃卻已失控出手。但千萬別小看老婆的智商，她們也不甘示弱，要以其夫之道還治其夫之身。本該由愛生性的婚姻，卻因性生活不順而跑出恨與殺機，冷血殺手起手無回，枕邊人的性命保還是不保？ 布魯塞爾奇幻影展最佳歐洲電影，各式殺人技法神展開，保證令你笑開懷。
四封情書
費昂·奧謝,安·斯凱利,皮爾斯·布魯斯南,海倫娜·伯翰·卡特,加布里埃爾·伯恩尼古拉斯·考夫蘭和伊莎貝爾·戈爾注定要在一起。問題是他們是否會發(fā)現(xiàn)。正如鬼魂、命運和真愛的純粹力量將尼古拉斯和伊莎貝爾拉在一起一樣，生活也有可能將他們分開。
鬼媾人
王晶,關(guān)之琳,陳百祥,夏文汐,曹查理,莫少聰凌兆祥（王晶 飾）和妻子（夏文汐 飾）開開心心地搬進了新置的豪宅，準備享受全新的生活。盡管豪宅里怪象頻出，佛學(xué)專家許禪（莫少聰 飾）亦給予了凌兆祥警告，但沉浸在興奮中的凌兆祥并沒有將這一切放在眼里?！ ∑拮討言凶∵M了醫(yī)院，再度變回“單身漢”的凌兆祥怎么可能放過這次難能可貴的機會？他伙同損友歐公子（陳百祥 飾）和屈臣氏（曹查理 飾）外出狂歡，并且邂逅了美麗女子冰淇（關(guān)之琳 飾）。凌兆祥同冰淇一夜溫存，事后，對妻子心懷愧疚的凌兆祥決定斷絕同冰淇的往來，沒想到，不愿意放過他的，不僅僅是冰淇，還有冰淇身后那一干早已化作冤魂厲鬼的家人們。