艷降勾魂

1863起義者

美國暴力

　　致力于研究暴力行為根源的世界著名心理學家阿曼達·泰勒博士，有一個訪談和評估死囚杰克遜·謝伊的良機，隨著訪談的開始，決定杰克命運的天平失去了平衡，阿曼達必須決定是否應該允許執(zhí)行死刑！

粽邪3：鬼門開

　　講述冠宇（張庭瑚 飾）因與父親武雄（李興文 飾）不合，為了賺錢早日搬離家，與好友龜仔（李明倉 飾）一起到旅社打工，不料打掃的房間竟有人自縊身亡，房內(nèi)充斥不祥的泰國符號，而旅社老板娘（吳奕蓉 飾）更是舉止詭異，整間旅社彌漫著死亡的氣息，向冠宇席卷而來。

赤紅生死線

三名女子淪為冷血電話詐騙的受害者。為了討回公道，他們決定對抗奪走他們金錢與尊嚴的犯罪網(wǎng)絡(luò)。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

教皇行動