僅此一夜

★ 6.2 播放：04萬 更新：2026-04-24
主演：Kathy Bain Ken James Taborah 

如何才能讓小姐只在一個晚上50000美元？......一旦安妮偷聽和當(dāng)?shù)乇蛐〗M組織的年度慶典的導(dǎo)師Wenko之間的討論，一個眾所周知的皮條客，她決定拋出黨自己并收集雄鹿。聘請鎮(zhèn)的準(zhǔn)備應(yīng)召女郎（和她不那么愿意舍友們）的幫助下，她認(rèn)為她有它使。但隨著事件的議案升溫，教練的特別的想象力有高興......和安妮是失去她很酷的風(fēng)險。什么幻想可能是5萬美元？擁有勒諾Zann和海倫UDY。。

在線播放

劇情簡介

如何才能讓小姐只在一個晚上50000美元？......一旦安妮偷聽和當(dāng)?shù)乇蛐〗M組織的年度慶典的導(dǎo)師Wenko之間的討論，一個眾所周知的皮條客，她決定拋出黨自己并收集雄鹿。聘請鎮(zhèn)的準(zhǔn)備應(yīng)召女郎（和她不那么愿意舍友們）的幫助下，她認(rèn)為她有它使。但隨著事件的議案升溫，教練的特別的想象力有高興......和安妮是失去她很酷的風(fēng)險。什么幻想可能是5萬美元？擁有勒諾Zann和海倫UDY。。

導(dǎo)演精選

沖破鐵幕

　　邁克爾（保羅·紐曼 Paul Newman 飾）是一位非常優(yōu)秀的火箭科學(xué)家，同時也是國家重點(diǎn)保護(hù)的珍貴人才。莎拉（朱麗·安德魯斯 Julie Andrews 飾）是邁克爾的助手，同時也是他的未婚妻，某日，兩人共同前往哥本哈根，去參加在那里舉辦的研討會?！　≡诟绫竟娜兆永铮~克爾的行為舉止表現(xiàn)的非常的怪異，就連向來能夠理解他的莎拉都感到百思不得其解，他的所有詭異行為只有一個解釋，那就是他要背叛自己的國家，逃往東德。為了弄清楚事情的真相，莎拉開始了對于邁克爾的調(diào)查，哪知道最終，莎拉選擇了和邁克爾一起叛逃。這對夫妻的行為背后，有著不為人知的目的。

單身請開眼

　　想過自己為何會單身嗎？單身理由千百種，有人是因?yàn)閻郾г梗腥耸且驗(yàn)樘ㄐ?，也有人是因?yàn)樘那唷５×眨ㄅ媾闪盏だ僚?飾）的理由竟是因?yàn)椤缚吹玫焦怼?。被甩之后，她決定收拾心情、揹起行囊，一人踏上失戀療傷之旅。小琳孤身前往泰北的丘媚潘步道療傷，因此遇見小普（馬力歐莫瑞爾 飾演），這個在感情和工作方面雙雙受挫的魯蛇編劇，為了尋找寫鬼片劇本的靈感，想找看得到鬼的人幫忙，兩個低潮的人意外相遇，并展開了一連串的冒險。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster