追你一世

★ 6.2 播放：95萬 更新：2026-04-27

雪娘與嫣紅是陰間的鬼魂, 兩鬼卻利用鬼門關(guān)開啟之日, 結(jié)伴同游陽間, 雪娘因而愛上周浩, 并化名阿麗邂逅, 周浩亦因失戀而接受了阿麗的感情, 譜大人鬼戀.舒萍與周浩分手后, 因前次和周浩在水中ML時(shí)未服避孕-, 不慎懷有周浩的身孕, 才回頭想和周浩重修舊好, 舒萍此時(shí)得知周浩已另結(jié)新歡而感到沮喪, 好友李蕓不忍見舒萍痛苦, 請(qǐng)來法師作法, 欲讓阿麗主動(dòng)離開周浩. 法師作法后, 阿麗現(xiàn)形, 周浩才知道阿麗是女鬼, 法師想捉拿女鬼, 阿麗害怕逃回陰間, 於是周浩不捨阿麗離去, 而隨同阿麗消失　

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劇情簡介

雪娘與嫣紅是陰間的鬼魂, 兩鬼卻利用鬼門關(guān)開啟之日, 結(jié)伴同游陽間, 雪娘因而愛上周浩, 并化名阿麗邂逅, 周浩亦因失戀而接受了阿麗的感情, 譜大人鬼戀.舒萍與周浩分手后, 因前次和周浩在水中ML時(shí)未服避孕-, 不慎懷有周浩的身孕, 才回頭想和周浩重修舊好, 舒萍此時(shí)得知周浩已另結(jié)新歡而感到沮喪, 好友李蕓不忍見舒萍痛苦, 請(qǐng)來法師作法, 欲讓阿麗主動(dòng)離開周浩. 法師作法后, 阿麗現(xiàn)形, 周浩才知道阿麗是女鬼, 法師想捉拿女鬼, 阿麗害怕逃回陰間, 於是周浩不捨阿麗離去, 而隨同阿麗消失　

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等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

風(fēng)雪飄搖

　　故事背景發(fā)生在抗日戰(zhàn)爭時(shí)期，主角郭東是一名獸醫(yī)，他的妻兒慘遭日本兵殺害，從此躲到了草原邊陲的一個(gè)小鎮(zhèn)上，過著惶惶不可終日的生活。郭東的自暴自棄使得他與當(dāng)?shù)厝水a(chǎn)生許多矛盾。就在此時(shí)，一名蒙古族孕婦的生命危在旦夕，眾人無奈之下求助郭東，郭東在新生命的洗禮和蒙古族戰(zhàn)士的感染下，重新明白了"英雄"的意義，完成了自我救贖。

河貍變身計(jì)劃

 少女梅寶（佩珀·柯達(dá) Piper Curda 配音）偶然借助突破性技術(shù)，讓自身意識(shí)“跳脫”身體，進(jìn)入機(jī)械動(dòng)物體內(nèi)，“變身”為一只活潑靈動(dòng)的河貍，從而得以潛入動(dòng)物社群內(nèi)部，更以“人類思維闖入動(dòng)物本能”的獨(dú)特視角，揭開一場充滿意外與溫情的野外探險(xiǎn)。