瑞典少女阿尼塔
一位年輕女子，名為安妮塔患有心理問(wèn)題和性濫交，是因她混亂的童年和漠不關(guān)心的父母。她經(jīng)常和多位陌生人發(fā)生性關(guān)系，雖被她的親友認(rèn)為y-蕩輕浮，也全然不在乎，只是得不到一次真正的「高潮」。當(dāng)她遇見(jiàn)埃里克，是該地一所大學(xué)的學(xué)生，他試圖通過(guò)分析她過(guò)去的關(guān)系，他幫助她的煩惱。埃里克露出她最親密和最激烈的遭遇戰(zhàn)之后，他決定，為了她克服她的色情狂，他首先必須讓她壓制難以抑制的浮濫性欲望。經(jīng)歷漂亮心理學(xué)家-提供強(qiáng)制性的同性戀診療，及埃里克細(xì)心觀照，與一系列事件的性愛(ài)嘗試，在賞心悅目的方式，自然使她達(dá)到了性高潮，直到她被;治愈
即刻觀影
劇情賞析
編輯推薦
捕蛇者說(shuō)
霧山捕蛇人深陷苛政與蛇禍雙重絕境，異變的陰影籠罩村落，一場(chǎng)關(guān)乎救贖與守護(hù)的博弈悄然開啟。
漁民的故事
豪爾赫·A·希門尼斯,Alejandra Herrera,蕾內(nèi)塔·瓦卡,安德雷斯·德爾加多,Perla Alejo,José Antonio Becerril,Myriam Bravo,Agustin Cornejo,安娜·迪亞斯,Maritza Estrada,Waldo Facco,Bibiana Godínez,梅賽德斯·埃爾南德斯,諾伊·埃爾南德斯,霍澤·梅蘭德斯,Daniela Momo,Don Fulgencio Morales,Ruby Vizcarra傳說(shuō)很久以前，大自然在湖邊和諧共生，直到邪惡降臨。被黑暗欲望蒙蔽的人帶來(lái)了恐懼、仇恨和死亡。漁民們稱之為L(zhǎng)a Miringua，就是因?yàn)槟愕淖飷憾涯阃系胶锏哪莻€(gè)。
牙仙
道恩·強(qiáng)森,艾什莉·賈德,斯戴芬·莫昌特,瑞恩·謝克勒,塞思·麥克法蘭,朱莉·安德魯斯,切斯·埃利森,黛斯特妮·惠特洛克,布蘭登·T·杰克遜,Dan Joffre,埃莉·哈維,巴克萊·霍普,邁克爾·登杰菲爾德,Dale Wolfe,Josh Emerson身形健碩的德里克·湯普森（巨石·強(qiáng)森 Dwayne Johnson 飾）是一個(gè)作風(fēng)粗暴的職業(yè)冰球手，由于經(jīng)常打掉別人的牙齒，因此他在場(chǎng)上得了“牙仙”的綽號(hào)。正所謂風(fēng)云變幻，時(shí)代更迭，隨著才俊新秀的涌現(xiàn)，德里克也漸漸成為一名過(guò)氣的板凳選手?？穹抛载?fù)的他必定心情極度失落，故而經(jīng)常用冰冷的語(yǔ)言打碎別人的夢(mèng)想?！ 〉吕锟说呐芽ɡ颍ò怖颉べZ德 Ashley Judd 飾）有一雙可愛(ài)的兒女，小女兒剛好處在換牙期，對(duì)神秘的牙仙還充滿遐想。此時(shí)德里克的老毛病又犯了，一心希望向女孩講述牙仙并不存在的真相。他的粗暴做法惹來(lái)了麻煩，牙仙大陸的負(fù)責(zé)人莉莉（朱麗·安德魯斯 Julie Andrews 飾）將他變?yōu)橐粋€(gè)身長(zhǎng)翅膀、手持魔杖、衣著短裙的牙仙女，在接下來(lái)的兩周里，他將被迫以這身裝扮為孩子們帶去祝福……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
大怪獸空中戰(zhàn) 加美拉對(duì)混沌鳥
笠原玲子,上田吉二郎,本鄉(xiāng)功次郎毎年夏と冬に怪獣映畫を公開する東寶との直接対決を避けて春休みに公開することになった“ガメラ“シリーズ。富士火山帯の活動(dòng)で出現(xiàn)したギャオスは、名古屋を火の海にするが、炎を好むガメラが現(xiàn)れ、陸?海?空を舞臺(tái)に死闘が展開される。
不死真相
埃里克·羅伯茨,桑德拉·布萊克,阿什莉妮可布萊克,Hope Blackstock,C.J. Stussi,伊莎貝拉·洛厄爾After an eccentric billionaire creates a drug called INOC which stops the aging process effectively eliminating death itself, the future of a world where death no longer exists is seen. Through a seemingly harmless children's toy, the story of the fate of mankind is told while also revealing an elusive truth to its unknowing spectator.