天堂:希望

評(píng)分:6.9 播放:95萬 更新:2026-04-28
主演: Melanie Lenz Verena Lehbauer Joseph 

天堂三部曲之希望。主角是《天堂:愛》中的女主角特瑞莎的女兒。這個(gè)13歲的女孩肥肥胖又無禮。當(dāng)她的媽媽前往肯尼亞度假的時(shí)候,她參加了一個(gè)奧地利的減肥夏令營。在這個(gè)夏令營里,她愛上了夏令營的負(fù)責(zé)人。這個(gè)男人比她大了整整40歲,關(guān)于他,我們只知道他是一個(gè)醫(yī)生。因?yàn)榻窈蟛豢赡茉谝黄?,醫(yī)生拒絕了這個(gè)小女生的示愛

影片推薦

同類精選

影視排行

遠(yuǎn)足驚魂

塔梅爾·哈桑,芭芭拉·尼德爾加科娃,本·洛伊德·霍爾姆斯,Zara Phythian,Daniel Caren

  講述一個(gè)從阿富汗的退役的女兵凱特組織了一群年輕美貌的少女到英國鄉(xiāng)村業(yè)林里探險(xiǎn)活動(dòng)……

慳錢家族

楊千嬅,陳奕迅,鄭裕玲,曾志偉,黎耀祥,何超儀

  典型都市女性Diana(鄭裕玲 飾)有著驕人的事業(yè)成績,也積極經(jīng)營著自己的愛情??墒窍愀劢?jīng)濟(jì)不景氣,她與同公司的小職員韋大漢(曾志偉 飾)都在了裁員的名單上。韋大漢早年妻子因?yàn)楹觅€離家出走,丟下了女兒千華(楊千嬅 飾)及小兒子萬華需要供養(yǎng)。他向兒女隱瞞自己已經(jīng)被解雇的事實(shí),可是Diana的出現(xiàn)讓千華及弟弟都知道了爸爸的真實(shí)情況。原來Diana的出現(xiàn)是想跟他們參加一個(gè)家庭制的游戲,只有勝出游戲,電視臺(tái)便會(huì)原價(jià)收購他們的負(fù)資產(chǎn)業(yè)。Diana是一個(gè)自私冷酷的人,在游戲的過程中,被大漢付出在兒女身上的感情而改變了她。千華也在游戲中與導(dǎo)演(陳奕迅 飾)產(chǎn)生了感情。游戲最終由他們勝出,可是千華親生母親的出現(xiàn)使局面徹底改變了……

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

今夜,就算這份愛戀從世界上消失2025

秋泳愚,申詩雅

高中女生每天醒來時(shí),都不記得昨天發(fā)生的事。她決定與一位拘謹(jǐn)?shù)耐瑢W(xué)交往,面對(duì)每一天的嶄新開始,兩人的愛能順利茁壯嗎?