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綠液驚魂
喬·基瑞,連姆·尼森,喬治娜·坎貝爾,索茜·貝肯,瓦妮莎·雷德格雷夫,萊絲利·曼維爾,亞倫·赫弗南,埃洛拉·托爾基亞,羅伯·柯林斯,賈斯汀·塞林格,加文·斯波克斯,安德魯·布魯克,達(dá)雷爾·席爾瓦,露伊薩·里希特,納赫爾·策蓋,丹尼爾·里格比,克萊爾·霍爾曼,瓦倫蒂娜·波普科娃,納納·詹姆斯兩個(gè)值守夜班的“倒霉蛋”甜點(diǎn)心（喬·基瑞 飾）和內(nèi)奧米（喬治娜·坎貝爾 飾），意外發(fā)現(xiàn)了瘋狂繁殖的外星寄生真菌，無福消受這頓重口加班餐的二人發(fā)出求救信號(hào)。“淡淡死感”的退休特工羅伯特（連姆·尼森 飾）被迫再就業(yè)，重新上崗拯救即將被真菌腐蝕的世界。他們一邊躲避著因寄生而綠液四濺的宿主們，一邊和翻涌的腸胃做斗爭(zhēng)，在一陣陣爆漿聲中大開“驚喜盲盒”。這組畫風(fēng)迥異的“臨時(shí)戰(zhàn)友”能否阻擋這場(chǎng)末日浩劫？誰又能活著走出這個(gè)驚魂之夜……
雉岳山
尹均相,金叡園,延濟(jì)旭,裴格林Five members of the mountain bike club, Sangaja. To ride a mountain bike, we head to Chiaksan Mountain, where Min-joon's Uncle villa is located. After arriving at Chiaksan Mountain and enjoying the ride, strange things began to happen to the party…. And something unidentified chasing them! A desperate survival game for Sangaja's party to survive on Chiaksan Mountain begins.
戒靈
顧泓淵身負(fù)儲(chǔ)物戒指枷鎖，偽裝廢柴在云道峰隱忍修煉。被迫指導(dǎo)小師妹唐檸，卻意外卷入秘境之爭(zhēng)。玄天派結(jié)盟白黎、語笙，為靈石與混元契踏入險(xiǎn)地。秘境中智破八門金鎖陣，助唐檸領(lǐng)劍意。面對(duì)復(fù)蘇的狂暴白澤，他打破戒指枷鎖突破元嬰，與師兄漠儒楓合力將其封印。攜混元契歸來后穩(wěn)固修為，眼神暗藏鋒芒，新的冒險(xiǎn)已然開啟，而壁畫深處滲出的黑暗氣息，預(yù)示著更大危機(jī)正在醞釀
浪扼三焦
卡拉·朱里,Véronique Tshanda Beya,Esperanza Martin González-Quevedo,Alessia Raschellà,沙夏·萊伊艾瑪在夜深人靜的時(shí)候被帶走了，渾身是瘀傷，意外懷孕了。在婦女庇護(hù)所找到了一個(gè)新家，她重新發(fā)現(xiàn)了自己失去的一面。在住在避難所的婦女和兒童中，個(gè)人創(chuàng)傷交織在一起。盡管他們有分歧，但一種微妙的姐妹情誼出現(xiàn)了。“一部關(guān)于女性為自尊和獨(dú)立而戰(zhàn)的電影，面對(duì)一個(gè)剝奪她們發(fā)言權(quán)的世界。這部電影將觀眾帶到了一個(gè)女性避難所的墻壁后面，向他們展示了一個(gè)令人驚訝的充滿活力的世界，那里的生活正在重建。如果有痛苦，也有力量、快樂和希望。角色和他們的故事植根于真實(shí)的經(jīng)歷和情感，由演員和非演員共同扮演。情感誠(chéng)實(shí)至關(guān)重要”。導(dǎo)演的筆記。
那一晚，我知道你做了什么
王婷,王昭,張喜來,李小胖,袁琳蘭,李星辰影片《那一晚，我知道你做了什么》 講述了四位大學(xué)好友，馬韋、賈超、劉強(qiáng)、翟杰磊在畢業(yè)前最后一頓散伙飯后準(zhǔn)備瘋狂一把，不了發(fā)生了一件讓眾人始料未及的事件。好學(xué)生翟杰磊被抓，一夜之間他的生活發(fā)生了翻天覆地的變化，此后翟杰磊便渺無音訊，大家也各奔東西。三年后，翟杰磊的未婚妻娜娜竟然突然打電話給翟杰磊當(dāng)年的三位好友馬韋，劉強(qiáng)等人，邀請(qǐng)他們參加自己和系花娜娜的婚禮，而他最終卻沒有出現(xiàn)。一場(chǎng)密室真心話大冒險(xiǎn)由此拉開序幕?！ ∫堰_(dá)到院線電影標(biāo)準(zhǔn)的《那一晚，我知道你做了什么》在2016年北京青年電影展閉幕式上成功入圍北京青年影展“第一屆最佳網(wǎng)絡(luò)電影”單元，并獲得最佳網(wǎng)絡(luò)大電影獎(jiǎng)。導(dǎo)演馮海濤在發(fā)表表彰感言時(shí)表示，感謝影展關(guān)注網(wǎng)絡(luò)大電影，這是網(wǎng)絡(luò)大電影第一次在表彰典禮登堂入室，這是觀眾的進(jìn)步，是中國(guó)電影的進(jìn)步。網(wǎng)絡(luò)大電影成為本屆電影展上眾人關(guān)注的焦點(diǎn)?！ ∮捌瑧乙缮蕽夂?，劇情非常深入人心，是一部非常值得期待的電影。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.