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劇情簡(jiǎn)介
2015美國(guó)大尺度電影,一個(gè)富有的房地產(chǎn)經(jīng)紀(jì)人的女兒愛(ài)上了一個(gè)年輕的男人,誰(shuí)介紹她到B&D和S&M。用她的新覺(jué)醒性能力,她終于負(fù)責(zé)她自己的生活。
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魔鬼名校
Latkamon Pinrojkirati,Anchalee Saisoontorn,加圖蓬·丹古來(lái)黑色鉆石
因巴爾·拉維,杰克·麥克勞克林,肖恩·西珀斯,雷·潘莎基,Michael James Bell,Kelli Jordan,伊森·瑞奇,Sara Lyons,Tristan Cunningham,Adrian Bergere,Wyatt Denny,Eric Walworth百燭游戲
Magui Bravi,Luz Champané,Amparo Espinola,克拉拉·科瓦西奇,Agustin Olcese,Amy Smart,James Wright我家的律師又惹麻煩了
室毅,木南晴夏,吉瀨美智子,菅野莉央,日向亙,入山法子,東根作壽英,本多力,早瀨憩,安達(dá)祐實(shí),村川繪梨,松尾諭,時(shí)任三郎,酒向芳,戶田惠子,渡部篤郎,濱津隆之銀瀑
James Ralph,艾瑞克·阿瓦利 Erick Avari,史蒂夫·巴西奇 Steve Bacic,杰德·拉姆西 Jade Ramsey,詹姆斯·C·伯恩斯,妮基塔·拉姆西 Nikita Ramsey,Alix Gitter,Tadhg Kelly,塔拉·維斯特伍德,James Cavlo金錢怪獸
喬治·克魯尼,朱莉婭·羅伯茨,杰克·奧康奈爾,多米尼克·韋斯特,凱特瑞娜·巴爾夫,吉安卡羅·埃斯波西托,丹尼斯·布特斯卡里斯,約瑟夫·D·雷特曼,達(dá)瑞·因戈?duì)柗蛩?克里斯托弗·鄧漢,安東尼·德·桑多,萊尼·維尼托人氣佳作
失認(rèn)癥
愛(ài)德華多·諾列加,巴巴拉·戈納加,費(fèi)利克斯·戈麥斯禮拜天2025
布蘭卡·索羅亞,帕特里夏·洛佩斯·阿奈斯,米格爾·加爾塞斯,胡安·米努欣,瑪貝爾·里維拉,Nagore Aranburu,Irina Robledo Espinosa,Nora Careaga Iglesias,Neizan Alonso Hernández,Leire Zuazua,María Rodríguez Maribona Delgado,Guille Zani,Itziar Aizpuru,Bego Arístegui,Florinda Okomo,Noe Chiroque,Ainhoa Já分秒之間
瑞切爾·布萊克,蘇茜·波特,文斯·科洛斯莫,馬丁·薩克斯,蘇珊·普賴爾,megan dale,麗莎·凱,greta carew-johns三天
樸新陽(yáng),李民基,李來(lái)導(dǎo)演精選
SPEC:翔
經(jīng)過(guò)長(zhǎng)時(shí)間的休整,治療眼傷的瀨文焚流(加瀨亮 飾)終于隨著當(dāng)麻(戶田惠梨香 飾)重返闊別已久的未詳,只是此時(shí)來(lái)自公安部公安五課的市柳(でんでん 飾)和吉川(北村一輝 飾)握得實(shí)權(quán),令瀨文等人頗為氣悶。與此同時(shí),在市井算命的覺(jué)被一掌握瞬間移動(dòng)能力的黑衣男子射殺,同時(shí)遇害的還有覺(jué)的保鏢以及幾名無(wú)辜市民。父母雙雙遇害而作為幸存者并且目擊了黑衣人真實(shí)容顏的少女久遠(yuǎn)望(谷村美月 飾)便成為對(duì)方追殺的目標(biāo)。為了保護(hù)小望,未詳同仁通力合作,并持續(xù)追索黑衣人的真面目以及其背后的陰謀。在此期間,當(dāng)麻也展示了其不為人知的SPEC。一場(chǎng)斗智斗勇的戰(zhàn)斗拉開(kāi)了序幕……
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
呼嘯山莊2026
改編自英國(guó)著名作家艾米莉·勃朗特同名經(jīng)典作品,英格蘭北部的荒原之上,一場(chǎng)跨越階級(jí)的禁忌之戀正在上演。莊園之主的女兒凱茜(瑪格特·羅比 飾)與被收養(yǎng)的孤兒希斯克利夫(雅各布·艾洛蒂 飾)青梅竹馬,靈魂契合彼此深陷。愛(ài)意悄然滋長(zhǎng)之時(shí),現(xiàn)實(shí)的殘酷和命運(yùn)的捉弄卻將二人分開(kāi)。多年以后,他攜風(fēng)暴回來(lái),純潔的愛(ài)火逐漸從浪漫演變?yōu)榘V狂,譜寫了一曲關(guān)于欲望、愛(ài)與瘋狂的史詩(shī)篇章。