宿命,吾愛(ài):第一部

★ 4.8 播放:53萬(wàn) 更新:2026-04-24

阿明是一名年輕編劇,他在地中海度假,在度假期間他與一名叫做賈斯敏的女孩相愛(ài)了。在這期間,他又遇到一個(gè)制片人聲稱(chēng)可以投資他的第一部電影。這時(shí)制片人的老婆看上了阿明,這時(shí)阿明要在賈斯敏、制片人老婆與自己的職業(yè)生涯三者中做出選擇。   

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劇情簡(jiǎn)介

阿明是一名年輕編劇,他在地中海度假,在度假期間他與一名叫做賈斯敏的女孩相愛(ài)了。在這期間,他又遇到一個(gè)制片人聲稱(chēng)可以投資他的第一部電影。這時(shí)制片人的老婆看上了阿明,這時(shí)阿明要在賈斯敏、制片人老婆與自己的職業(yè)生涯三者中做出選擇。   

導(dǎo)演精選

異形侵襲

  所謂的無(wú)船員的船攜帶咖啡駛?cè)爰~約,但是當(dāng)警察和一些科學(xué)家在船上發(fā)現(xiàn)了船員可怕的尸體和大量的盒子裝滿(mǎn)綠色蟲(chóng)蛋。爆炸的時(shí)候蛋溫度升高和任何人誰(shuí)接觸的物質(zhì)都會(huì)爆炸。現(xiàn)在政府介入和幸存的軍官,一名上校和一名宇航員發(fā)現(xiàn)這些蛋可能與災(zāi)難性的火星任務(wù)有關(guān)。

悄然之星

  無(wú)數(shù)次的災(zāi)難與戰(zhàn)爭(zhēng),讓人類(lèi)的數(shù)量銳減,似乎也因此使得宇宙變得更加寧?kù)o。而今人工智能機(jī)器人已在宇宙間占有絕對(duì)的統(tǒng)治地位,人類(lèi)卻只有兩成左右。雖然科學(xué)極大進(jìn)步,可惜人類(lèi)無(wú)法突破壽命的百年限定,他們匆匆而來(lái),默默而終,不知不覺(jué)走向滅亡。  帶有濃重昭和氣息的宇宙飛船中,生活著編號(hào)為722的人形機(jī)器人鈴木洋子(神樂(lè)坂惠 飾)。她與AI機(jī)器人相伴,永遠(yuǎn)奔波在漫長(zhǎng)的宇宙旅途中。她的日常百無(wú)聊賴(lài),洗衣服、縫扣子、剪指甲、打掃衛(wèi)生,孤獨(dú)與靜寂永無(wú)止境。洋子是一名宇宙快遞員,她所投遞的貨物卻都是些看似無(wú)關(guān)緊要的小物件。每次投遞需要花費(fèi)數(shù)年時(shí)間,縱使瞬間旅行已成可能,不過(guò)她卻似乎有什么理由消磨這漫長(zhǎng)的時(shí)光。一顆孤獨(dú)的星球上,仿佛被全宇宙所遺忘的人類(lèi),在破敗的街道上等待著遠(yuǎn)方的造訪……

我能有個(gè)見(jiàn)證人嗎

  Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth.  With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50.  Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned.  Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.