極道血色玫瑰

? 5.1 播放：20萬 2026-04-25

黑社會的美豔大姐，掌舵日本地下經(jīng)濟命脈，龐大的金錢誘惑... 　　

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黑社會的美豔大姐，掌舵日本地下經(jīng)濟命脈，龐大的金錢誘惑... 　　

幕后花絮

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

超時空獵殺

　　2020年，在香港首次發(fā)現(xiàn)穩(wěn)定蟲洞，人們可以通過穩(wěn)定蟲洞回到歷史上的時間節(jié)點，為了防止有人通過蟲洞回到歷史并破壞歷史，時空管理局應運而生。 時空管理局擔負著校正歷史、讓歷史按著既定軌道運行的使命。然而時空守衛(wèi)隊隊長左石，卻突然率領(lǐng)五名部下，攜帶著超出時代進程的槍支武器，闖入蟲洞，回到了歷史中的秦陽城，意圖以顛覆歷史要挾時管局在48小時內(nèi)關(guān)閉蟲洞。 為了挽救歷史，女探員景彤臨危受命與前守衛(wèi)隊隊長秦朗，帶領(lǐng)新組建的守衛(wèi)隊，配備青銅武器回到歷史之中，阻止左石一行。