媽媽朋友的女兒

重度催眠

謝君豪,王杍逸,何杜娟,趙美鈞,韓儲鴿,楊帆

三層的獨棟別墅里女孩發(fā)現(xiàn)了一具尸體，隨后警方及時趕到，經(jīng)檢查后在案發(fā)現(xiàn)場又陸續(xù)發(fā)現(xiàn)了另外兩名死者，和別墅的主人董醫(yī)生。陳兵帶隊檢查現(xiàn)場發(fā)現(xiàn)了幾處疑點……幸存的董醫(yī)生經(jīng)過治療逐漸恢復健康，并在醫(yī)院里向警察說出了一段怪異的經(jīng)歷，雨夜別墅里發(fā)生的一切，都逐漸明朗開來……

列寧格勒牛仔征美記

馬蒂·佩龍帕,吉姆·賈木許,卡里·瓦納寧,Sakke J?rvenp??,薩卡里·庫斯曼嫩,西盧·塞佩萊,馬托·瓦爾托寧,奧利·圖奧米寧,理查德·伯斯

　　列寧格勒牛仔搖滾樂隊的幾個成員裝扮怪異，戴大墨鏡，燙飛機頭，夸張的火箭鞋就是他們的標志。可在他們的家鄉(xiāng)看不見事業(yè)成功的希望，于是他們決定轉戰(zhàn)美國尋求機會，在即將出發(fā)的前夜，貝斯手卻被凍死，盡管如此，隊員們還是將他裝入了放滿冰塊的木箱中帶上了旅途。此時同村的一個怪異的啞巴 偷偷跟隨樂隊來到了紐約。紐約的機會并不如他們想象的豐富，困窘的生活仍在繼續(xù)，在他們走投無路之時，得到了一個來自墨西哥的婚宴演出機會。于是他們用僅剩的錢從一個美國售貨員（吉姆?賈木許 Jim Jarmusch 飾）手中買了一輛舊車后繼續(xù)向墨西哥進發(fā)，那里有他們最后的夢想……

極限審判

克里斯·帕拉特,麗貝卡·弗格森,卡莉·瑞斯,安娜貝爾·沃利斯,克里斯·沙利文,凱萊·羅杰斯,杰夫·皮埃爾,拉菲·格拉沃恩,肯尼斯·崔,杰米·麥克布萊德,羅斯·格斯拉,馬克·達內(nèi)里,海頓·道爾頓,邁克爾·C·馬洪,諾亞·費恩利,庫里·普拉特,杰·杰克遜,馬哈茂德·馬哈茂德,安雅·阿克斯丁,理查德·賽特倫

 警探雷文（克里斯·帕拉特 飾）突遭指控，陷入殺妻疑云，被推上由AI判官裁決的審判席。90分鐘倒計時啟動，他必須借助AI“天眼”系統(tǒng)，在海量數(shù)據(jù)中尋找翻盤證據(jù)，推翻指向自己的致命結論，否則將被當庭處死。然而，調(diào)查越深入，嫌疑人越多，數(shù)據(jù)卻不斷自我驗證、層層鎖死真相。當算法 構成無法破解的死局，人類還能否掙脫系統(tǒng)的最終裁決?

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

冥界

杰森·倫敦,羅伯特·英格蘭德,Gianni Capaldi,洛麗娜·卡姆布羅瓦,黛安娜·柳貝諾娃,阿塔納斯·斯雷布雷夫,Nikolay Valentinov Lukanov,John Strong,斯蒂芬·施特雷夫,Julieta Koleva,Todor Dotsev,Dimitar Banchev,Lyuben Popov

　　前洛杉磯警察布雷特在保加利亞首都索非亞，擔任一棟舊公寓大樓的安保主管。布雷特很快發(fā)現(xiàn)了一股邪惡力量，打開了冥界與人類世界的大門……

十月建造的房屋2

Brandy Schaefer,Zack Andrews,Mikey Roe,Jeff Larson,Bobby Roe,Kate Biddle,Bob Ballou,Tamara Chambers,Wade Clark,Clicks,Landon Colby,盧卡斯·戈弗雷,Tyson Colby,Andrea Hays,Adam Heatherly,Margee Kerr,Takeru Kobayashi,Mini Kiss,Jacquie Lantern,尼克·里昂,Gina Martinez,Ka

　　Five haunted-house enthusiast friends are still trying to recover from the trauma of being kidnapped the previous Halloween by the Blue Skeleton — a group who takes “extreme haunt” to another level. They decide to face their fears in order to move on and go back out on the road to find more haunted houses. However, ominous signs of the Blue Skeleton start appearing again…

忍者龍劍傳

難波圭一,冬馬由美,若本規(guī)夫,鄉(xiāng)里大輔,榊原良子,石冢運升,鈴木沙織,浦和惠,里內(nèi)信夫,增田有宏,川津泰彥,沼田祐介,內(nèi)海秀雄,小川真司

 現(xiàn)代超忍繼承龍之一族血統(tǒng)的隼流忍者龍隼（リュウ?ハヤブサ，Ryu Hayabusa）因其父親被殺，而手持由龍牙削制成的龍劍（龍剣，Dragon Sword），踏上復仇之路,并最終消滅了邪鬼王和邪神。和邪鬼王宿命之戰(zhàn)的一年后……龍之忍者——龍·隼面臨著新的冒險。忍者龍劍傳是日本TECMO公司所推出的系列游戲，并於多種平臺發(fā)行，也是以超高難度見稱的動作游戲。本片改編自FC平臺的忍者龍劍傳三部曲的第二部《忍者龍剣伝II ～暗黒の邪神剣～》