交換：朋友的妻子2

　　四名劇場(chǎng)演員在倫敦排練即將在西區(qū)上演的復(fù)仇舞臺(tái)劇時(shí)，隨著彼此之間的秘密戀情逐漸曝光，參雜著才華嫉妒與愛(ài)恨糾葛。在一連串的陰謀與反擊中，原以為的盟友，竟私下已與旁人聯(lián)手陷害自己，這場(chǎng)角力最終將演變成致命的殺機(jī)。

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

 25年前，高中生任娜美（沈恩京 飾）一家從全羅道搬到漢城，娜美入讀真德女子高中，因方言濃重怯于開(kāi)口的娜美幸運(yùn)的得到了同班大姐頭夏春花（姜索拉 飾）的維護(hù)，并與圍繞在夏春花周圍的執(zhí)著于雙眼皮的金玫瑰、滿嘴臟話的黃珍熙、夢(mèng)想成為作家的徐金玉、要成為韓國(guó)小姐的俞福姬以及沉默傲慢的美人鄭秀智等五人結(jié)識(shí)。在一次和不良少女團(tuán)對(duì)決之后，春花和娜美等七人組成了“Sunny”團(tuán)體……多年以后，家庭主婦娜美在去醫(yī)院探望母親時(shí)偶然重逢了身患絕癥住院的春花，后者希望在生命的最后兩個(gè)月內(nèi)，能夠再見(jiàn)當(dāng)年的Sunny成員。娜美找到金玫瑰，兩人委托私家偵探尋找當(dāng)年的同伴，而那些關(guān)于青春的回憶，也在一個(gè)個(gè)熟悉的名姓后面再次被喚醒。