青春和色欲

評(píng)分:3.5 播放:53萬 更新:2026-04-24
主演: 爾冬升 余安安 艾飛 

劇情有;羅密歐與朱麗葉式的凄美,大族女方蘭晶與窮家子邱俊民相愛,卻為女方爸爸媽媽嫌其貧窮對(duì)立他們交游,但蘭晶為了忠于個(gè)人的愛情不吝拒絕了大族子男同學(xué)郭華忠的尋求,最終俊民為救蘭晶可憐被打死,蘭亦因此而殉情 

劇情簡介

劇情有;羅密歐與朱麗葉式的凄美,大族女方蘭晶與窮家子邱俊民相愛,卻為女方爸爸媽媽嫌其貧窮對(duì)立他們交游,但蘭晶為了忠于個(gè)人的愛情不吝拒絕了大族子男同學(xué)郭華忠的尋求,最終俊民為救蘭晶可憐被打死,蘭亦因此而殉情 

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娜塔莉·伊曼紐爾,托馬斯·多赫蒂,斯蒂芬妮·科內(nèi)柳森,阿拉娜·博登,西恩·帕特維,休·斯金納,維拉格·巴拉尼,考特尼·泰勒,卡塔·薩博,伊麗莎白·康塞爾,斯科特·亞歷山大·楊,杰瑞米·惠勒,卡羅爾·安·克勞馥,克里斯蒂娜·格蕾絲·薩爾科

  該片故事靈感來自于布萊姆·斯托克的經(jīng)典小說《德古拉》,是一部當(dāng)代恐怖驚悚片,講述一個(gè)年輕女子因被追求而變得神魂顛倒,但她意識(shí)到,一個(gè)哥特式的陰謀正在發(fā)生。

一起過家家

宋木子,蔣詩萌,合文俊,夏甄,葉泉希,李飛,陳璽旭,楊九郎,衣云鶴,馬旭東,李曼,土豆

  妻子鮑一萌是頭部帶貨主播,丈夫宋李是全職丈夫,弟弟鮑鵬在復(fù)讀備戰(zhàn)高考。一天,三人意外發(fā)現(xiàn)互換身體。全家的靈魂與身體分別錯(cuò)位。全職丈夫宋李(小舅子身)重回學(xué)校,懷念青春中彈琵琶的夢想,但繁重的學(xué)習(xí)生活,讓他感到力不從心。復(fù)讀生小舅子鮑鵬(妻子身)不懂管理公司,并在直播時(shí)狀況百出,女神小靜的奮斗讓他慚愧。主播鮑一萌(丈夫身)在輔導(dǎo)女兒的生活中發(fā)現(xiàn),做家務(wù)和帶娃并不簡單。相比之下,丈夫開明的教育方式仿佛讓女兒的成長更美好。一家人決定支持宋李(小舅子身)重拾琵琶參與音樂比賽。深夜,宋李三人被關(guān)在冷藏車內(nèi)被凍得奄奄一息。他們終于換回來了!一家人的生活重新回到正軌,和諧美滿。

英宮艷史

查爾斯·勞頓,羅伯特·多納特,富蘭克林·迪亞爾,邁爾斯·曼德,勞倫斯·漢雷

 故事開始于十六世紀(jì)初,因?yàn)榛屎髣P瑟琳(賓妮·巴尼斯 Binnie Barnes 飾)無法生育,英國國王亨利八世(查爾斯·勞頓 Charles Laughton 飾)同她離婚,另娶了名為恩尼(梅爾·奧勃朗 Merle Oberon 飾)的女子為皇后,哪知道野心勃勃的恩尼整天盤算著推翻丈夫的統(tǒng)治自立為王,當(dāng)她的陰謀敗露之后,亨利八世親手將她送上了斷頭臺(tái)。恩尼死后,亨利八世娶了奇恩(溫迪·巴里 Wendy Barrie 飾)為妻,哪知道在生產(chǎn)時(shí),奇恩因?yàn)殡y產(chǎn)而死,只留下了一個(gè)可憐的嬰兒威爾斯(邁爾斯·曼德 Miles Mander 飾)。之后,大臣們想要國王迎娶德國公主,可這一次,國王駁回了大臣們的請(qǐng)求。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

超凡世界

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尋愛之旅

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  熱愛射飛鏢的柯林看店為業(yè),為了贏回紅杏出牆的妻子芳心,他跳脫常軌,離開熟悉的故鄉(xiāng),橫越全國。當(dāng)他經(jīng)過美麗的高山地區(qū),來到碎石嶙嶙的黑池時(shí),連著遇到一些人和事,改變了他的新生活。是一部好笑又非常人性的影片。

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卡茜·瑟波,布萊特妮·薩皮,梅森·戴伊,艾麗克西斯·勒梅爾,里卡多·霍約斯,盧克·拜恩斯,哈維·吉蘭

  Eight college friends head to a "Haunted Rental" for Halloween. But when they replay the game that made the house infamous, they awaken an evil spirit intent on stealing their souls.