在線看
同款熱播
一馬當(dāng)先
Biju Menon,阿西夫·阿里,Miya George退休的副警察局長(zhǎng)烏達(dá)亞巴努（Udhayabhanu）在電視節(jié)目中講述了他職業(yè)生涯中的一些事件。這就是他如何揭示其職業(yè)生涯中具有里程碑意義的 “切帕南托塔案 ”中耐人尋味的細(xì)節(jié)。當(dāng)嚴(yán)厲的巡回督察賈亞山卡爾（Jayashankar）和巡警卡爾蒂克（Karthik）開始一起工作時(shí)，一連串的事件就開始了。他們經(jīng)常因?yàn)樘幚砬闆r和解決問題的方法不同而發(fā)生沖突。在家人、朋友、敵人和上司的注視下，他們以各自獨(dú)特的風(fēng)格，試圖解開糾纏不清的困境。誰能迎接挑戰(zhàn)，又能以多快的速度完成任務(wù)？
不離不棄2026
張芷溪,初俊辰,沈曉海,黃俊鵬,楊青倩電影主要講述了睿智沉穩(wěn)的徐文軒、外表文靜秀美但性格反叛火爆的白若雪，與偽君子海石在游戲世界相遇相識(shí)后，在現(xiàn)實(shí)世界里產(chǎn)生糾葛的愛情故事。
后座
哈利·米爾林,亞歷山大·斯卡斯加德,道格拉斯·霍奇,萊斯利·夏普,安東尼·威爾士,杰克·謝爾斯,Miranda Bell,比利·金,Rosie Sheehy,Stevie Raine,喬治婭·赫利爾,杰克·夏普,Michael 'Mike' Jones,尼克·菲吉斯,卡夫奇奇·米哈,保羅·塔利斯,Kevin Bazeley,Christina Carty,扎米爾·梅斯蒂,Jacob Carter弱不禁風(fēng)的男子Colin（哈利·米爾林 Harry Melling 飾）遇上英俊無比的摩托車俱樂部首領(lǐng)Ray（亞歷山大·斯卡斯加德 Alexander Skarsg?rd 飾），Ray將Colin收為他的submissive，并帶他走近一群古怪的酷兒摩托車手，過程中各種收割童貞。但隨著Colin深入Ray的那個(gè)充滿規(guī)則和神秘的世界，他開始質(zhì)疑自己是否真正適合這種當(dāng)全天候submissive的生活。他是真的找到了自己的使命，還是僅僅用一種“窒息”的人生換了另一種？
撒冷鎮(zhèn)2024
劉易斯·普爾曼,威廉·桑德勒,皮魯·埃斯貝克,麥肯茲·利,比爾·坎普,阿爾法·伍達(dá)德,斯賓塞·崔特·克拉克,約翰·本杰明·西基,尼古拉斯·克羅維蒂,Debra Christofferson,凱德·伍德沃德,瑞貝卡·吉貝爾,凱蘭·呂德,塞拉·希烏爾曼,Jordan Preston Carter,邁克·巴什,Danielle Perry,Carly Silverman,加文·馬多克斯·伯格曼,Fedna Jacquet作家本·米爾斯回到他兒時(shí)的故鄉(xiāng)——撒冷鎮(zhèn)，為他的下一本書尋找靈感，卻發(fā)現(xiàn)他的家鄉(xiāng)正被一個(gè)嗜血的吸血鬼掠奪。
午夜的太陽
鄭知曉,車學(xué)沇該片翻拍自2006年上映的同名日本電影，講述罹患罕見疾病——XP色素性干皮癥的女主因?yàn)槠つw不能接受陽光照射，否則將出現(xiàn)生命危險(xiǎn)。從此白天與之無緣，只能終日躲在家中，唯一的樂趣也只是趁著夜晚踱到車站廣場(chǎng)唱著自己喜愛的歌。在這一過程中，女主漸漸喜歡上時(shí)常路過車站的沖浪男孩的愛情故事。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster