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汝矣島
金太祐,樸圣雄,黃秀貞洛杉磯之戰(zhàn)
艾倫·艾克哈特,拉蒙·羅德里格茲,威爾·羅斯海爾,科里·哈德里克,吉姆·帕拉克,基諾·安東尼·佩西,尼歐,詹姆斯·廖,布里吉特·莫伊納漢,諾爾·費(fèi)舍,阿德托庫姆布斯·麥克馬克,布賴斯·卡斯,邁克爾·佩納,米歇爾·羅德里格茲,小尼爾·布朗,泰勒·漢德雷,喬伊·金,盧卡斯·提爾,Kenneth Brown Jr.,雅丹·古爾德,喬·克里斯特,E·羅杰·米切爾,羅斯·布萊克維爾,蘇西·阿布羅梅特,布蘭迪·科爾曼,大衛(wèi)·詹森,湯姆·希爾曼,莉娜·克拉克,塔琳·薩瑟恩,詹姆斯·D·德弗,Dane Brown,Gra逆時追兇
麥迪遜·貝利,邁克爾·山克斯,格里芬·格魯克,安東尼婭·金特里,莎莫·H·豪威爾,瑞秋·克勞福德,梅根·貝斯特,亞當(dāng)·哈蒂格,塞繆爾·布勞恩,辛妮·比斯頓,Kataem O'Connor,格溫多琳·柯林斯,喬丹·佩特爾,Dutchess Cayetano,Chess Tomlinson,Bj·韋羅,Elena Howard-Scott,泰瑞·威瑟斯龐,科琳·弗蘭,Samantha HutchingsX 放射線
詹姆斯·惠特摩,埃德蒙·戈溫,詹姆斯·阿尼斯,瓊·韋爾登十二個想死的孩子
杉咲花,新田真劍佑,北村匠海,高杉真宙,黑島結(jié)菜,橋本環(huán)奈,吉川愛,萩原利久,渕野右登,坂東龍?zhí)?古川琴音,竹內(nèi)愛紗星河戰(zhàn)隊
卡斯帕·范·迪恩,迪娜·邁耶,丹妮絲·理查茲,杰克·布塞,尼爾·帕特里克·哈里斯,克蘭西·布朗,塞斯·吉列姆,帕特里克·茂頓,邁克爾·艾恩塞德,露·麥克拉納罕,馬紹爾·貝爾,埃里克·布魯斯科特爾,馬特·萊文,布蕾克·林斯利,安東尼·瑞維瓦,布蘭達(dá)·斯特朗,迪恩·諾里斯,克里斯托弗·柯里,萊諾爾·卡斯多夫,羅伯特·斯莫特,斯蒂芬·福特,羅伯特·大衛(wèi)·豪爾,艾米·斯馬特,蒂莫西·奧門德森,代爾·戴同類精選
驚門
王子子,彭敬慈,陳芋米,佟月,王遠(yuǎn)達(dá)奇幻之家
趙文琪,李琦,斯琴高娃,顏勤,徐日東升,宋祉璇,來喜,天賜,張明明,孟繁淼,馬國芯,吳一熳,徐日光耀,張韶潔,趙溦,宋牧晨,王慶峰,李時雨,孫悅魔法老師
西蒙·佩吉,凱特·貝金賽爾,羅賓·威廉姆斯,羅伯·里格爾,特瑞·吉列姆,約翰·克里斯,喬安娜·拉姆利,艾迪·伊扎德,亞歷克薩·戴維斯,艾瑞克·愛都,邁克爾·帕林,特瑞·瓊斯,羅伯特·巴瑟斯特,梅拉·沙爾,艾瑪·皮爾森,朱蒂·羅,桑吉夫·巴哈斯卡,布萊恩·考克斯,羅南·薩莫爾斯,加文·斯科特,瑪格麗塔·道爾FPS
道本成美,泉知束,米澤成美,南久松真奈,巖永ひひお心靈與智慧
德懷特·戴維·艾森豪威爾,William Marshall,喬治·皮杜爾X誰嫁誰噶了誰
露西·海爾,維吉尼亞·加德納,布魯克·尼文,薩默·薩利姆,Bethany Brown,杰瑞·蒂納科,杰迪代亞·古達(dá)克,Brendan Morgan,Haley Victoria Hunt,RJ·費(fèi)瑟斯頓豪,勞拉·延加,斯賓塞·博爾格森,Edem Nyamadi,Pete MacLeod,Brad Abramenko,Kyle Mosonyi,Cam Woodman,Sequoia Wiseman,肯德拉·赫斯凱特,韋恩·科貝伊影視排行
玩偶屋
羅伯塔·科林斯,帕姆·格里爾,Judith Brown,Brooke Mills,Pat Woodell科林(Judith M. Brown 飾)遭到了謀殺的指控,被關(guān)入了位于菲律賓的監(jiān)獄里,等待著她的,是長達(dá)20年的牢獄之災(zāi)。人高馬大的格利爾(帕姆·格里爾 Pam Grier 飾)是監(jiān)獄里的大姐大,她一眼就相中了與眾不同的科林,想要逼迫她委身于自己,但個性倔強(qiáng)的科林怎么可能就范,在反抗格利爾的過程中,科林和名叫邦妮(帕特·伍德爾 Pat Woodell 飾)的女囚成為了朋友?! ∧橙?,科林被女警官帶走了,她打算通過刑訊逼供的方式迫使科林承認(rèn)自己沒有犯過的罪行。焦急的邦妮找到了聰明伶俐的阿爾科特(羅伯塔·科林斯 Roberta Collins 飾),兩人決定聯(lián)手進(jìn)行救援行動。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
火車司機(jī)日記
拉扎爾·里斯托夫斯基,佩塔爾·科拉克,米爾亞娜·卡拉諾維奇,雅絲娜·杜里契奇,穆拉登·內(nèi)勒維奇,尼娜·揚(yáng)科維奇,達(dá)妮卡·卡斯托夫斯基,哈里斯·布里納,蒂赫米爾·斯塔尼克,帕夫萊·埃里克,朱吉娜·拉迪克,內(nèi)納德·西里克,娜塔莎·馬爾科維奇,尼古拉·布拉托維奇,博揚(yáng)·迪米特里耶維奇,喬萬·卡斯托夫斯基,亞歷山大·格里戈利克每個火車司機(jī)在職業(yè)生涯中會撞死20多人,這些死者通常是因為尋死、失誤、酒醉或僅僅是一不小心而喪生。伊利亞是一名即將退休的火車司機(jī),他共撞死了28人。他19歲的養(yǎng)子西瑪繼承了他的工作,西瑪非常擔(dān)心自己也會撞死人,而老司機(jī)們都安慰他說,一周內(nèi)就會發(fā)生,但是幾周過去后,沒有發(fā)生一起撞人事故,而這也使得他精神極度緊繃。伊利亞為了幫助他,找到了許多想要自殺的人,讓他們跳到車軌上自殺,但是最終這些人都放棄了自殺的念頭。無奈之下,伊利亞自己躺在了車軌上想用自身的死來拯救西瑪…
黑神駒
凱利·雷諾,米基·魯尼,特瑞·加爾,克拉倫斯·繆斯,霍伊特·阿克斯頓以《返家十萬里》揚(yáng)名的導(dǎo)演卡羅爾·巴拉德一鳴驚人之作。以戲劇化的抒情風(fēng)格描述一名男孩在船難中跟黑神駒同時漂流到荒島上,人與馬建立了兩位一體的非凡感情。后來他們獲救重回人類社會,巧遇老牌馬術(shù)教練,乃被訓(xùn)練成出色的賽馬和小小年紀(jì)的騎師,在一次比賽中獲得冠軍。全片的攝影極為優(yōu)美動人,尤其當(dāng)時的童星凱利·里諾在沙灘上跟黑神駒玩耍的場面,在視聽效果上呈現(xiàn)出大自然之美的極至。米基·魯尼飾演的馴馬師在片中也占有重要地位,一老一少和馬之間的三角互動關(guān)系爆發(fā)出感人的火花,堪稱同類影片中的一流代表作。