劇情簡(jiǎn)介
兩位美麗的女性游客在歐洲的時(shí)候發(fā)現(xiàn)自己的錢用完了。他們開(kāi)始在一個(gè)神奇的城堡里工作，在那里男人們來(lái)實(shí)現(xiàn)他們的幻想
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天出血
常戎,蓋麗麗,于紹康,楊兆泉,洪濤沙漠里流傳著一句話：天出血，人死絕。故事發(fā)生在舊時(shí)代的西北，這樣一片沙漠地帶，它講述了一個(gè)愛(ài)情悲劇故事。年青的問(wèn)九因鄉(xiāng)鄰間缺水爭(zhēng)執(zhí)而出逃在外，待回來(lái)時(shí)，曾與之心心相印的秀秀姑娘已被族叔迎娶，成了他的嬸嬸。水繼續(xù)威脅著人們的生存，問(wèn)九的族叔為富不仁，竟以空手能否從滾開(kāi)的油鍋里撈起銅錢來(lái)決定人們?cè)诰G洲的去留，他狠毒地騙問(wèn)九替他撈起銅錢卻又暗地加害問(wèn)九。問(wèn)九奮起抗?fàn)?，砍死了族叔，被官府捉捕。牢獄未能囚住問(wèn)九渴求自由的心。他一次次尋求機(jī)會(huì)越獄。數(shù)十年后，當(dāng)問(wèn)九逃出虎口，卻又被沙漠里的土匪抓住逼他帶路，對(duì)秀秀的愛(ài)情支撐著問(wèn)九最后的生命，他再次出逃，掙扎著爬回自己的故鄉(xiāng)。但黃沙已無(wú)情地吞噬了這里的一切，唯有刻著綠洲村的石柱還未被淹沒(méi)。問(wèn)九手撫石柱瞑目在這荒原上。荒原上，彩霞滿天。天出血，人死絕。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
捏造
綾野剛,柴崎幸,龜梨和也,木村文乃,大倉(cāng)孝二,迫田孝也,光石研,北村一輝,小林薰2003年，福岡市的一所市立小學(xué)，發(fā)生了一起老師欺凌學(xué)生的惡性事件。一名男性教師以種族歧視為由，對(duì)“有美國(guó)人血統(tǒng)”的四年級(jí)學(xué)生處處找碴，施行惡毒的語(yǔ)言暴力和殘酷的體罰。該學(xué)生的家長(zhǎng)對(duì)教師提起民事訴訟，550名律師自發(fā)組成原告律師團(tuán)。福岡市教育委員會(huì)也對(duì)教師做出了停職處罰。行為如此惡劣的教師堪稱罕見(jiàn)，經(jīng)《周刊文春》《朝日新聞》等主流媒體報(bào)導(dǎo)，引起軒然大波，涉案教師被冠上“史上最惡劣的‘殺人教師’”的名號(hào)；但欺凌事件真的發(fā)生了嗎？隨著調(diào)查的深入，事件發(fā)生了驚人的逆轉(zhuǎn)…… 影片改編自記者福田真澄2007年出版的一本書，名為《捏造：福岡“殺人老師”的真相》。
最后決戰(zhàn)
皮埃爾·若利韋,讓·布伊茲,讓·雷諾此片是盧貝松再影壇還沒(méi)沒(méi)無(wú)聞時(shí)，憑著一腔熱血，旺盛活力與爆發(fā)力， 突破一切傳統(tǒng)，掙脫一切商業(yè)機(jī)制下的樊籠，冒著無(wú)色彩，無(wú)對(duì)話，無(wú)明星等大諱所完成的電影。當(dāng)影片完成時(shí)，因宣傳無(wú)門，于是盧貝松帶著這部影片參加瑞士阿沃基影展，一舉拿下評(píng)審特別大獎(jiǎng)及影評(píng)人獎(jiǎng)，因而打開(kāi)他的國(guó)際知名度。解剖核子戰(zhàn)后的文明廢墟，因?yàn)闊o(wú)色彩，所以這是一部黑白色調(diào)的電影。
恐怖高速
艾琳·迪茨,西蒙·飛利普斯,Shannon Dalonzo,約翰·D·?？寺?賈斯汀·戈登,James Politano,Jessica Gray,Briahn Auguillard,Robin Bookhout,Heather Rozzo一對(duì)年輕夫婦在高速公路上行駛，似乎無(wú)法離開(kāi)公路，因?yàn)橛腥似髨D讓他們繼續(xù)上路。
臨冬
瓊·拉斯皮尤爾an experimental work by the Negu Collective, all of them former students of the ESCAC in Barcelona.
化劫
黃冠智,雷嘉汭,劉子銓,曾莞婷,黃騰浩,柯叔元,于子育,席惟倫影片改編自笭菁的同名恐怖小說(shuō)?！ ∪f(wàn)萬(wàn)不可將八字交給他人，否則……后果自負(fù)。