新妻は浮気癥

在你的愛情里

迷失的欲望

外表漂亮的子晨內(nèi)心充滿著欲望，漂亮的包包和高檔的手表的加持，子晨在人群中格外顯眼，子晨得到了極大的滿足。然而真正的奢侈品是愛情，子晨開始瞞著自己的丈夫和花花公子開始交往，隨著時間的推移，債務(wù)暴雷，情感更是騙人的游戲，子晨終于把自己推向了絕境。

我的學(xué)姐是青蛇

打破白娘子傳說的固有框架，以許仕林后人許博森的現(xiàn)代視角切入，將千年神話與當(dāng)代青年的成長、抉擇結(jié)合，把 “救母” 而非 “愛情” 作為核心主線，賦予經(jīng)典故事全新的情感內(nèi)核與現(xiàn)實思考。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

人肉農(nóng)場

　　A young couple gets kidnapped and treated like farm animals after stopping at a roadside diner to eat meat.

第六日

　　克隆技術(shù)在不遠(yuǎn)的未來有了長足的進(jìn)步，但復(fù)制人仍是法理上不可逾越的禁區(qū)，政府通過《第六天法》嚴(yán)格禁止克隆人?！　★w行員亞當(dāng)（Arnold Schwarzenegger 飾）擁有幸福的家庭，他出于本能的厭惡那些違背自然規(guī)律的基因技術(shù)。亞當(dāng)平時的工作是和搭檔送游客上雪峰，這天他們?yōu)閷櫸锟寺」镜睦习迩】耍═ony Goldwyn 飾）服務(wù)，搭檔頂替亞當(dāng)駕駛卻發(fā)生了意外……回到家中的亞當(dāng)發(fā)現(xiàn)居然有一個克隆人頂替了自己的位置參加他的生日宴，莫名驚恐之下他又被來路不明的殺手追殺，他很快明白自己成為了寵物克隆公司的人類復(fù)制試驗品，做為母體，他面臨被消滅的危險?！　≡谔油龅倪^程中亞當(dāng)與暴力反對克隆人計劃的組織合作，成功潛入寵物克隆公司，并控制了克隆人技術(shù)的負(fù)責(zé)人威爾博士……